Director: Jai Chandiram Belonging to an aristocratic family of Nawabs, it was unusual for Zohra to show her urge to become a dancer. She went to Germany, and got a three year diploma in dancing. It was a training in expressing the consciousness of one’s body, using appropriate postures and adding emotions to the performances. On her return, she joined the dancing school of Uday Shanker. Mter a brief stint in Lahore she moved to Mumbai. Here she joined the theatre group of Prithvi Raj Kapoor...
Topic: IGNCA

Cultural Resources of India

11 11

Wisdom Frozen in Time: In Search of Treasure in Tanjavur and Bhubaneswar (Volume 3)

Sep 7, 2019 09/19

Sep 7, 2019 Indira Gandhi National Centre for the Arts

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Director: R Bharathadri Script: Gautam Chatterjee Tamil University, Thanjavur: Has a repository of 8,000 palm-leaf manuscripts and more than 500 bundles of palm-leaf revenue records. Saraswati Mahal, Thanjavur: It has 30,433 palm-leaf manuscripts and 6,426 books. The Nāvāvidha Nighaṇṭu in Sanskrit and the Telugu Dictionary, the Kamba Rāmāyaṇam, catalogue of manuscripts prepared in palm leaves by Mahārāja Sarfojī, 1801 are also shown in the documentary. State Museum, Bhubaneswar: It...
Topic: IGNCA

Cultural Resources of India

10 10.0

Great Masters Series: Smt. Sitara Devi and Smt. Damayanti Joshi

Sep 6, 2019 09/19

Sep 6, 2019 Indira Gandhi National Centre for the Arts

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Sitara Devi represents the second generation of Kathak artists of the Benares Gharānā, having been taught and imparted vidya by her father Sukhdev Mahārāj. In conversation with Dr. Kapila Vatsyayan she says that it was unusual for a girl to be a Kathak dancer, because those times were different and there were only boys, who performed even the female roles in Rāmalīlā. At the age of thirteen, she moved to Mumbai, where she received her tālīm – teaching and initiation. She got some...
Topic: IGNCA

Cultural Resources of India

10 10.0

Sacred Echoes: Beneath the Bodhi Tree

Sep 6, 2019 09/19

Sep 6, 2019 Indira Gandhi National Centre for the Arts

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Creative Director: Gautam Chatterjee Bodh-Gaya is an eternal space where the Buddha attained nirvāṇa. Buddha-carita denotes this space as a corridor of eternity. The documentary fathoms Bodh-Gaya as a pilgrimage to re-understand the process of ‘awakening’ even beyond the bodhi tree. Parallely, it also highlights the importance of seven places where Lord Buddha did penance. Alongside, the chanting of the Tipiṭaka is documented. This encompasses Vinaya Piṭaka-the code of ethics for...
Topic: IGNCA

Cultural Resources of India

13 13

Sacred Dances at the Hemis Festival

Sep 6, 2019 09/19

Sep 6, 2019 Indira Gandhi National Centre for the Arts

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Director: M K Raina Hemis Gompa was established by King Sengya Namgyal in the 17th century and serves as the Headquartor of the Drukpa Lineage. The annual festival at Hemis Gompa in Ladakh, introduced by Gyalsey Rinpoche, covers many hidden dimensions of Buddhist belief systems and rituals. Guru Padmasambhava took miraculous birth on a lotus. The Hemis festival commemorates this auspicious occasion on the 10th and 11th day of the fifth Tibetan month, and re-enacts the myth of the Guru’s...
Topic: IGNCA

Cultural Resources of India

21 21

Ramlila: The Traditional Performance of Ramayana

Sep 6, 2019 09/19

Sep 6, 2019 Indira Gandhi National Centre for the Arts

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Director :R.Bharathadri Produced by IGNCA and supported by Ministry of Culture, Government of India for INDIA presentation to UNESCO The Rāmalīlā of northern India is based on the great Hindi version of the epic Rāmacaritamānasa of Tulsīdās. IGNCA made this documentary for the Ministry of Culture, Government of India for presentation to the UNESCO, which has designated Rāmalīlā as a masterpiece of Oral and Intangible Heritage of Humanity. The film features the Rāmalīlā of Ramnagar,...
Topic: IGNCA

Cultural Resources of India

19 19

Qasba Sanskriti Bilgram: A Documentary Film

Sep 6, 2019 09/19

Sep 6, 2019 Indira Gandhi National Centre for the Arts

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Directed: Yousuf Saeed This film is a cultural sketch of Bilgram, a small town near Lucknow in north India, especially focusing on the performative arts associated with the Shia rituals of Ashura on Muharram. Produced by IGNCA under its project: “ Aqeedat Ke Rang- Performative Tradition in Islam”
Topic: IGNCA

Cultural Resources of India

6 6.0

Pavakathakali: Glove Puppets of Kerala

Sep 6, 2019 09/19

Sep 6, 2019 Indira Gandhi National Centre for the Arts

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Concept and principal investigation G. Venu ; cameramen, Anand Vardhan, Ravi Bhatt, Pradyumna K. Malik ; editing, graphics & subtitles, Satyendra Singh. Origin of Pavakathakali or Puppet Kathakali is attributed to the Andippandaram community, an itinerant group who travelled from Andhra Pradesh and settled in Kerala. They performed puppetry as they moved from village to village for their livelihood. When Kathakali became popular in the eighteenth century, they began to dress up their...
Topic: IGNCA

Cultural Resources of India

23 23

Sacred Excellence: Pattadakal Temples

Sep 6, 2019 09/19

Sep 6, 2019 Indira Gandhi National Centre for the Arts

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Director: R. Bharathadri This eighth-century monument in Bagalpore district of Karnataka was built to celebrate the victory of King Vikramāditya II over his foes, and touches the highest pinnacle of temple architecture. The Lokeśvara Temple and the Virūpākṣa Temple are among the manjor temples in the single complex with ten monuments known for their grandeur, decorative designs and inscriptions. The iconographic details are of high standard. The embellishments in the smaller temples have...
Topic: IGNCA

Cultural Resources of India

9 9.0

Pandit Purushottam Walawalkar

Sep 6, 2019 09/19

Sep 6, 2019 Indira Gandhi National Centre for the Arts

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Pandit Purushottam Walawalkar is acknowledged as one of India’s greatest artists in the genre of harmonium playing. The DVD was released on the occasion of his 91st birthday in which he talks extensively on various aspects about the harmonium; how it came to India, how it caught the popular imagination, the style of playing the instrument, the style of accompanying vocalists belonging to different gharanas, how the finger movements vary in different genres, qualities of good accompaniment,...
Topic: IGNCA

Cultural Resources of India

10 10.0

Pandit Mani Prasad

Sep 6, 2019 09/19

Sep 6, 2019 Indira Gandhi National Centre for the Arts

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Concept and Execution: Dr. Meeta Pandit Transliteration of lyrics by Smt. Subhra Mazumdar One of the well-known exponents in the khayaal style of singing, Pandit Mani Prasad has attained eminence as a vocalist and guru. He belongs to a musical family of Bikaner in Rajasthan. His family has been nurturing dhrupad and khayaal styles for centuries. Pandit Mani Prasad’s ancestors--Pandit Shakti Lal, Bassi Ram, Mangar Ram, Shankar Lal and his father Pandit Shukhdev Prasad have enriched the dhrupad...
Topic: IGNCA

Cultural Resources of India

13 13

Paharias: The Forest Dwellers of Jharkhand

Sep 6, 2019 09/19

Sep 6, 2019 Indira Gandhi National Centre for the Arts

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Directar: Sangeeta Dutta A community that has the claim of being the earliest inhabitants of the region and finds mention in Megasthenes’ book as well as Hiuen Tsang’s travelogue, has now been pushed to the edge and is an ecologically and biologically endangered tribe. They go on hunting-expeditions, practice share-cropping as well as shifting cultivation, live in mud houses, collect firewood from forest and practice herbal medicine. Though poverty, under development and lack of education...
Topic: IGNCA

Cultural Resources of India

21 21

Murals of Kerala

Sep 6, 2019 09/19

Sep 6, 2019 Indira Gandhi National Centre for the Arts

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Director:R.Sarath The film explores the vanishing ritualistic and artistic heritage of the frescos of Kerala temples. It highlights the ritual austerities, performed by artists, while creating those sacred murals; touches upon “Dhūlicitra” created out of five natural colours names white, black, yellow, red and green; and, explores the various mythological storylines in varied colour temperatures. It looks at the integration of painted two-dimensional and three dimensional, sculpted and...
Topic: IGNCA

Cultural Resources of India

7 7.0

The Multifarious Tribal Culture of Tripura

Sep 6, 2019 09/19

Sep 6, 2019 Indira Gandhi National Centre for the Arts

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Director: Madhumita Nag It is a delightful experience to watch Reangs, Chakmas, Jamatias, and other tribes living their life, in unison with nature. This reflects their faith in life ways, simple, unsophisticated and without the twists of modern life. Weather it is Reang’s Hojagiri dance Jamatia’s jhūm dance, Mamita dance or Lebgang Boomani dance, the performance is of high quality, accompanied by music that not only interprets the rhythmic movement of the dancers, but also has relevance...
Topic: IGNCA

Cultural Resources of India

8 8.0

Great Masters Series: M. T. Vasudevan Nair

Sep 6, 2019 09/19

Sep 6, 2019 Indira Gandhi National Centre for the Arts

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A documentary on writer M.T. Vasudevan Nair. It attempts to deconstruct the man and the writer through his environment and influences. It travels M.T.’s journey tracing the moods and movements of river Nila on whose banks the writer was born and raised. It tracks the meandering river and its pit stops through Kudallur, Kalamandalam, Kalpathy and Ponnani to rebuild the sights and sounds that make the brick and mortar of M.T.’s stories. Contributor: Kumaran, K. P. - Indira Gandhi National...
Topic: IGNCA

Cultural Resources of India

7 7.0

Landscaping the Divine: Space and Time Among the Gaddi

Sep 6, 2019 09/19

Sep 6, 2019 Indira Gandhi National Centre for the Arts

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Camera, Edwin Paul, Barun Raha ; editor, Bapppa Ray. The Gaddis of Himachal Pradesh are a sheep herding community who live and travel in the higher reaches of the Dholadhar range of the Western Himalayas. The most striking feature of the Gaddi terrain is Mount Mani Mahesh Kailash. Towering as a beacon, it symbolizes the community’s spiritual as well as material life. The film transforms the physical landscape into a cultural text, through which the people contemplate and speak about...
Topic: IGNCA

Cultural Resources of India

6 6.0

The Kesar Saga

Sep 6, 2019 09/19

Sep 6, 2019 Indira Gandhi National Centre for the Arts

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Director: Iffat Fatima The Kesar Saga is an ancient Tibetan epic narrated in the entire Tibetan belt extending to Mongolia, Central Asia and China. In its Ladakhi version, Kesar Saga, has come down through the centuries orally, with story-teller reciting the epic during the long cold winter nights. The story revolves around the exploits of a superhuman hero, ‘Kesar’ and his efforts to establish peace and order in the world. The film rediscovers many story-tellers and reproduces the...
Topic: IGNCA

Cultural Resources of India

5 5.0

Kathakali: Art Form of Kerala (Part 2)

Sep 6, 2019 09/19

Sep 6, 2019 Indira Gandhi National Centre for the Arts

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Director: N. Rndhakrishana; Guidance: KK Chakaravarty (Episodes: 4-7) The film focuses on the actual performances of Dakṣa yajñam and traces two primary languages of communication in Kathakaḷi – drumming sound and mudrā. The film highlights the rasas to depict the eight major expressions (bhāvas), which are interlinked and spring from one another. Other highlights are the evolution of abhinaya saṅgītam, with special focus on jajamānīya system. The detailed concepts of make-up...
Topic: IGNCA

Cultural Resources of India

10 10.0

Hampi: The World Heritage Site

Sep 5, 2019 09/19

Sep 5, 2019 Indira Gandhi National Centre for the Arts

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Director: R.Bharathadri Duration: Episodes I to VI: 2 hours 27 minutes 19 seconds The film showcases the grandeur of the World Heritage Site – Hampi, known in ancient times as Pampākṣetra. Hampi was the capital of Vijayanagar Empire on the south bank of river Tuṅgabhadrā, in Karnataka between the 14th and 16th centuries. The roving camera takes one through the corridors of artistic creativity in the primeval rocky landscape, dotted with massive fortifications, aqueducts, tanks, colossal...
Topic: IGNCA

Cultural Resources of India

13 13

Indigenous people of Car Nicobar Island in the Andaman Archipelago

Sep 4, 2019 09/19

Sep 4, 2019 Indira Gandhi National Centre for the Arts

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Narration, Surjan Singh ; subject expert, M. Sreenathan ; script, Iqbal Malhotra, M. Sreenathan, Farah Yameen ; edit team, Umesh Rawat, Vishal Sharma, Virender Singh. This documentation explores anthropologically various nuances of Car Nicobar tribes within the geographical settings of the Nicobar. It provides a rare view of the lesser known life style, belief system rituals practices festivals and livelihood patterns and traces the oral traditions mythology, costumes and dialect of the Car...
Topic: IGNCA

Cultural Resources of India

13 13

In Search of the Man of Heart

Sep 4, 2019 09/19

Sep 4, 2019 Indira Gandhi National Centre for the Arts

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Edited by Madan Rajan ; camera, Barun Raha ; translations of songs, Subir Bose. The documentary highlights the saffron clad melodious singers and messengers of universality called bauls, who mostly live in West Bengal area. These bauls who came from all religions propogate the idea of humanity and love studded with the element of life benevolence. The philosophy of the baul is documented in this film, which traces the love for the humanity by the group which became part of the Bhakti movement...
Topic: IGNCA

Cultural Resources of India

3 3.0

Great Masters Series: Mahesh Mishra

Sep 4, 2019 09/19

Sep 4, 2019 Indira Gandhi National Centre for the Arts

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Mahesh Mishra, a great Gandhian and freedom fighter, who spent his life in the service of the nation, shares some of his experiences and views with Rajiv Malviya. At an age of ninety-two, he has been a staunch believer in Gandhian teachings. He went to jail many times. His only regret is that the Gandhian path is at a discount, because of other priorities. He talks about freedom movement, Partition and post Partition politics. He airs his views lucidly.
Topic: IGNCA

Cultural Resources of India

9 9.0

Great Masters Series: Bhisma Sahni

Sep 4, 2019 09/19

Sep 4, 2019 Indira Gandhi National Centre for the Arts

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Bhisma Sahni, great writer, theatre personality, social worker, shares some reminiscences with Dr. Kapila Vatsyayan. The beginning of the twentieth century was marked by the national movement for freedom, along with reform movements. There were more revolutions led by people like Bhagat Singh. His hanging gave a fillip to the patriotism. It was not a question of whether violence was right or wrong. Sahni feels that our attention is diverted today from socio-cultural problems, while the earlier...
Topic: IGNCA

Cultural Resources of India

9 9.0

Gopitpua

Sep 4, 2019 09/19

Sep 4, 2019 Indira Gandhi National Centre for the Arts

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Director :Gulbahar Singh Indian tradition of dance remains a contextual expression of inter-wovenness of life style, festivity and sacred invocation. Cultural continuum and amalgamation remains the fulcrum of this tradition. Male goṭipuā dancers and devadāsī dancers, consecrated to God, have given shape to Odissi. Dance has moved from sacred temple space to public space. Today, goṭipuā survive in limited circles. The film highlights the physical and mental preparation of young dancers...
Topic: IGNCA

Cultural Resources of India

13 13

The Faces of God: Mukhanach

Sep 4, 2019 09/19

Sep 4, 2019 Indira Gandhi National Centre for the Arts

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Director: Ravikant Dwivedi Mukhanāch is the most popular mask dance of north Bengal, closely connected with the Rājavaṁśī tribe of south Dinajpur district. An agrarian mode of celebration by recreating faces of God in dynamics of the myth and orality, it is connected with the celebration for prosperity and peace. Mukhanāch is mainly celebrated during the local Gajon festival in the month of Caitra, linked with cultivation. Another major punctuation of this oral theatric tradition is...
Topic: IGNCA

Cultural Resources of India

18 18

Daksina Kannada: Land of the Mother Goddess (Part I to IV)

Sep 4, 2019 09/19

Sep 4, 2019 Indira Gandhi National Centre for the Arts

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Director : S.S.Rajesh The film explores the rich tradition of Mother Goddess worship, transcending all communities and castes in South Karnataka. It traces the mythological manifestations of the female divinity and delves deep into the Purāṇas to understand the concept of creation, procreation and destruction, epitomized by her. In the second part of the film, different manifestions of the Mother Goddess principle are showcased, namely Mariammā Mahākālī, Śrīdevī Mahā-Ambā etc. It...
Topic: IGNCA

Cultural Resources of India

3 3.0

Documentation of Clay Image Makers of Kummartuli

Sep 4, 2019 09/19

Sep 4, 2019 Indira Gandhi National Centre for the Arts

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Director : Ranajit Ray A modest tradition of making clay images existed in Bengal in pre-British times. These craftsmen originally “Potters” by caste became the core settlers of Kumartuli, which means “Potters Quarter”. In spite of contributing to the biggest socio-economic festivity of the Bengali Hindus, Durga Puja, shared by the people belonging to every community, culture and religion, their art is anonymously produced, anonymously sold, and then cast into the river year after year....
Topic: IGNCA

Cultural Resources of India

11 11

Buddhism – A Living Religion in the North East of India (Arunachal Pradesh and Sikkim)

Sep 4, 2019 09/19

Sep 4, 2019 Indira Gandhi National Centre for the Arts

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Project Director: Molly Kaushal Director: Bappa Ray Camera: Karan Thapliyal Editing: Vishal Chauhan Mahayana Buddhism, both as a religion and a way of life has influenced the outlook of diverse communities in the Himalayan region. From Ladakh and Himachal in the west to Arunachal Pradesh and Sikkim in the east, in small villages scattered throughout the areas bordering Tibet, are communities who have adopted the Buddhist way of life. From the 7th century, Buddhism underwent radical changes, and...
Topic: IGNCA

Cultural Resources of India

19 19

The Boatmen of Kashmir

Sep 4, 2019 09/19

Sep 4, 2019 Indira Gandhi National Centre for the Arts

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The film documents the community called Haenz (Hāṅgī) that is directly involved in vocations connected with water-bodies. They have typical ethnic characteristics and call themselves descendents of the Prophet Noah. Within this community there are divisions based on their typical vocation viz. Demba-Haenz, Gaer-Haenz, Gāda-Haenz, Kar-nāv-Haenz, and MaṭaHaenz. Kashmiris have excelled in the craft of making boats. Made from pine wood, generally ‘Deodār’, there are various types of...
Topic: IGNCA

Cultural Resources of India

8 8.0

Bidesia: A Folk Form of Bihar

Sep 4, 2019 09/19

Sep 4, 2019 Indira Gandhi National Centre for the Arts

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Director: Rajan Bidesia is known for its intensity of presentation, simplicity of language and unsophisticated style. It is not a dance form, but a kind of Tamāśā, which reflects the culture of the region. It has rich variety and emotional content. The ingredients of the play include a speech (saṁvāda), different forms of poetry like pad, short poem, vachun, gīta (song), ghazal and also a dance. It is enacted at night on a raised mound, which serves as a stage, and locally available...
Topic: IGNCA

Cultural Resources of India

13 13

Bhil Paintings: Image and Imagination

Sep 4, 2019 09/19

Sep 4, 2019 Indira Gandhi National Centre for the Arts

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Research Script: Gautam Chatterjee Bhīls, the Ādivāsīs of southern Rajasthan, are known for their creative imagination and interesting belief systems. They live under the splendour of nature, with blue sky and surrounded by mountain ranges. The belief system is Śaivite, and they worship twelve Śivaliṅgas with different names. They have many icons, male as well as female. The most fascinating part of their life is their urge to paint, using natural material for making colours. Their...
Topic: IGNCA

Cultural Resources of India

8 8.0

Revisiting Bhand Pather: Folk THeatre of Kashmir

Sep 4, 2019 09/19

Sep 4, 2019 Indira Gandhi National Centre for the Arts

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The film presents a historical and cultural perspective on the endangered Art form Bhand Pather , the traditional folk theatre of Kashmir. It is an age- old oral tradition, handed down intangibly from one generation to the other. Director: M.K.Raina
Topic: IGNCA

Cultural Resources of India

10 10.0

Bhakta Prahlada: Surabhi Theatre Series

Sep 4, 2019 09/19

Sep 4, 2019 Indira Gandhi National Centre for the Arts

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Hiranyakashyapa, the Demon king, earns a boon that he could neither be killed by any weapon nor by any human or animal, neither on land or water nor at day or night. With the help of such a powerful boon, he defeats Devendra, makes his ashtadikpalas his servants and propagates himself as God. After that, he wants to kill Lord Vishnu, whom he considers his rival. A son, Prahalada, is born to Hiranyakashyapa with prenatal wisdom and devotion to Lord Vishnu. Hiranyakashyapa tries to change him,...
Topic: IGNCA

Cultural Resources of India

10 10.0

Great Masters Series: BC Sanyal and Elizabeth Brunner

Sep 3, 2019 09/19

Sep 3, 2019 Indira Gandhi National Centre for the Arts

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Director: ]ai Chandiram B.C. Sanyal was not only a painter, but a sculptor too. It was the famous painter Jamini Roy, who patronized him. Sanyal, a multi-faceted personality, believed that a creation of art should be the crystallization of experience, gained at different levels emotional and aesthetic. He abhored the idea of giving title to a painting as he believed that a painting should be selfexplanatory. He was interested in music also. He played flute and would make it from bamboo...
Topic: IGNCA

Cultural Resources of India

6 6.0

Bareilly My Bareilly

Sep 3, 2019 09/19

Sep 3, 2019 Indira Gandhi National Centre for the Arts

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The documentary weaves in and out of the famous network of the Bareilly gullies through space and time, traversing the myraid aspects of the composite culture of the town, with a special focus on its Muslim heritage. Contributor: Akhter, Nawed - Chandrika, R. K.
Topic: IGNCA

Cultural Resources of India

5 5.0

Under the Full Moon: The Aravan Fest

Sep 3, 2019 09/19

Sep 3, 2019 Indira Gandhi National Centre for the Arts

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Director: S. Simon John Aravan – the legendary son of Arjuna and Ulupi, the Naga Princess, was to be sacrificed in the 18-day of Kurukshetra war in order to ensure the victory of the Pandavas. Aravan requested Krishna that he to be married before he is sacrificed. However Krishna was unable to find a bride for him. Therefore he transformed himself into a woman and married Aravan. The Ritual enactment of these episodes forms the central theme of the 18-day annual festival in the temple of...
Topic: IGNCA

Cultural Resources of India

3 3.0

Surajit Debbarman (Tripura)

Sep 3, 2019 09/19

Sep 3, 2019 IGNCA

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Ek Bharat Shrestha Bharat, special video programs presented by the Indira Gandhi National Center for the Arts. Concept by Dr. Sachchidanand Joshi and Coordination by Dr. Achal Pandya and Dr. Supriya Consul The Ek Bharat Shrestha Bharat programme was launched to actively enhance interaction between peole of diverse cultures living in different States and UTs in India, with the objective of promoting greater mutual understanding amongst them.The idea of a sustained and structured cultural connect...
Topic: Ek Bhrata Shrestha Bharat

Cultural Resources of India

4 4.0

Hemraj and Jiyalal Thakur (Himachal Pradesh)

Sep 3, 2019 09/19

Sep 3, 2019 IGNCA

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Cultural Resources of India

3 3.0

Hiren Sancar (Daman and Diu)

Sep 3, 2019 09/19

Sep 3, 2019 IGNCA

eye 3

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Cultural Resources of India

3 3.0

E. Maninathan (Punducherry)

Sep 3, 2019 09/19

Sep 3, 2019 IGNCA

eye 3

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comment 0

Cultural Resources of India

6 6.0

Desh Raj (Punjab)

Sep 3, 2019 09/19

Sep 3, 2019 IGNCA

eye 6

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comment 0

Cultural Resources of India

3 3.0

Sunil Korda (Dadar and Nagar Haveli)

Sep 3, 2019 09/19

Sep 3, 2019 IGNCA

eye 3

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comment 0

Cultural Resources of India

5 5.0

Sai Sultan (Chandigarh)

Sep 3, 2019 09/19

Sep 3, 2019 IGNCA

eye 5

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Cultural Resources of India

5 5.0

Dipanita Acharya (West Bengal)

Sep 3, 2019 09/19

Sep 3, 2019 IGNCA

eye 5

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Cultural Resources of India

3 3.0

Zodai Lova (Mizoram)

Sep 3, 2019 09/19

Sep 3, 2019 IGNCA

eye 3

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comment 0

Cultural Resources of India

5 5.0

K. John (Telangana)

Sep 3, 2019 09/19

Sep 3, 2019 IGNCA

eye 5

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comment 0

Cultural Resources of India

7 7.0

Shilu Singh Rajput (Uttar Pradesh)

Sep 3, 2019 09/19

Sep 3, 2019 IGNCA

eye 7

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Cultural Resources of India

4 4.0

Shibor Mawkon (Meghalya)

Sep 3, 2019 09/19

Sep 3, 2019 IGNCA

eye 4

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Cultural Resources of India

3 3.0

Sreeraj and Udayan Kundankuzi (Kerala)

Sep 3, 2019 09/19

Sep 3, 2019 IGNCA

eye 3

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Cultural Resources of India

4 4.0

Damodar Ganpati Rao (Andhra Pradesh)

Sep 3, 2019 09/19

Sep 3, 2019 IGNCA

eye 4

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Cultural Resources of India

4 4.0

Onetoshi Jamir (Nagaland)

Sep 3, 2019 09/19

Sep 3, 2019 IGNCA

eye 4

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Cultural Resources of India

6 6.0

Moora Lal Marwada (Gujarat)

Sep 3, 2019 09/19

Sep 3, 2019 IGNCA

eye 6

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Cultural Resources of India

5 5.0

Mukund Nayak (Jharkhand)

Sep 3, 2019 09/19

Sep 3, 2019 IGNCA

eye 5

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Cultural Resources of India

4 4.0

Bedabati Lourembam (Manipur)

Sep 3, 2019 09/19

Sep 3, 2019 IGNCA

eye 4

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Cultural Resources of India

4 4.0

Ranjit Gogoi (Assam)

Sep 3, 2019 09/19

Sep 3, 2019 IGNCA

eye 4

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Cultural Resources of India

3 3.0

Kirshna Verma (Madhya Pradesh)

Sep 3, 2019 09/19

Sep 3, 2019 IGNCA

eye 3

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Cultural Resources of India

6 6.0

Disciples Of Ustad Iqbal Ahmed Khan (Delhi)

Sep 3, 2019 09/19

Sep 3, 2019 IGNCA

eye 6

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Cultural Resources of India

4 4.0

Narendra Gurang (Sikkim)

Sep 3, 2019 09/19

Sep 3, 2019 IGNCA

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Cultural Resources of India

4 4.0

Jogila Siddaraju (Karnataka)

Sep 3, 2019 09/19

Sep 3, 2019 IGNCA

eye 4

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Cultural Resources of India

3 3.0

Basanti Bisht (Uttarakhand)

Sep 3, 2019 09/19

Sep 3, 2019 IGNCA

eye 3

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Cultural Resources of India

7 7.0

Dhanjaya Kaul (Kashmir)

Sep 2, 2019 09/19

Sep 2, 2019 IGNCA

eye 7

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Cultural Resources of India

10 10.0

Bharthi Thirumagan (Tamil Nadu)

Sep 2, 2019 09/19

Sep 2, 2019 IGNCA

eye 10

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Cultural Resources of India

5 5.0

Mohammad Basheer and Micah (Lakshwadweep and Andman and Nicobar)

Sep 2, 2019 09/19

Sep 2, 2019 IGNCA

eye 5

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Cultural Resources of India

4 4.0

Padmini Dora (Odisha)

Sep 2, 2019 09/19

Sep 2, 2019 IGNCA

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Cultural Resources of India

3 3.0

Sonia Shirsat Fadista (Goa)

Sep 2, 2019 09/19

Sep 2, 2019 IGNCA

eye 3

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Cultural Resources of India

4 4.0

Delong Padung (Arunachal Pradesh)

Sep 2, 2019 09/19

Sep 2, 2019 IGNCA

eye 4

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Cultural Resources of India

1 1.0

Saphalya 01 (Version 01)

Sep 2, 2019 09/19

Sep 2, 2019 Sanchi Foundation

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Performed by Chavadi Theatre Playwright - T.P.Kailasam Music /Direction: Manjunath L Badiger
Topics: Theatre, Sanchi Foundation Video

Cultural Resources of India

2 2.0

Saphalya 02 (Version 02)

Sep 2, 2019 09/19

Sep 2, 2019 Sanchi Foundation

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Performed by Chavadi Theatre Playwright - T.P.Kailasam Music /Direction: Manjunath L Badiger
Topics: Theatre, Sanchi Foundation Video

Cultural Resources of India

3 3.0

Tenku Tittu Yakshagana

Sep 2, 2019 09/19

Sep 2, 2019 Sanchi Foundation

eye 3

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"Kumbhakarna Kalaga Tenku Tittu (Southern Style) Yakshagana Video Documentation of Torch - Light (Dondi Belaku) performance Direction - Balipa Narayana Bhagavata Co-ordinator - Prithviraja Kavattaru, Udupi Troupe - ’Artists Combine’ from different professional troupes. Producers - Manohara Upadhya and Ashoka Vardhana Video documentation - Abhaya Simha" Location: Abhayaranya
Topic: Sanchi Foundation Video

Cultural Resources of India

3 3.0

Sanchi Knowledge Series Ramachandra Guha

Sep 1, 2019 09/19

Sep 1, 2019 Sanchi Foundation

eye 3

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Hindutva or Hindu Swaraj U.R.Ananthamurthy Translated From the Kannada: Keerti Ramachandra, Vivek Shanbhag Location: Alliance Francaise De Bengaluru
Topic: Sanchi Foundation Video

Cultural Resources of India

2 2.0

Yaksha Dhwani

Sep 1, 2019 09/19

Sep 1, 2019 Sanchi Foundation

eye 2

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"Fusion of Yaksha-Shruti-Raga-Taala-Laya Bhagawat: Sarva Sri Maravante Narasimha Dasa Bhagwata Kadatoka Manjunatha Bhagawata Nebburu Narayana Bhagwata Padyana Ganapathi Bhat Subrahmanya Dhareshwara Dinesha Ammannaya Vidwan Ganapati Bhat Concept/ composition: Dr.P.Manohar Upadya, Mangaluru" "Location: Townhall, Magaluru"
Topic: Sanchi Foundation Video

Cultural Resources of India

1 1.0

Togalu Bombe Shurpanakha

Sep 1, 2019 09/19

Sep 1, 2019 Sanchi Foundation

eye 1

favorite 0

comment 0

Topic: Sanchi Foundation Video

Cultural Resources of India

2 2.0

Talamaddale Vamana Charitre

Sep 1, 2019 09/19

Sep 1, 2019 Sanchi Foundation

eye 2

favorite 0

comment 0

"Ninasam, Heggodu | Sanchi Foundation Presents Bhagawat: Subrahmanya Dhareswara Maddale: Nagabhushana, Kedalsara Chande: Bhargava K.N " "Location: Ninasam, Heggodu"
Topic: Sanchi Foundation Video

Cultural Resources of India

5 5.0

Talamaddale Seetapahara

Sep 1, 2019 09/19

Sep 1, 2019 Sanchi Foundation

eye 5

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"Ninasam, Heggodu | Sanchi Foundation Presents Bhagawat: Subrahmanya Dhareswara Maddale: Nagabhushana, Kedalsara Chande: Bhargava K.N " "Location: Ninasam, Heggodu"
Topic: Sanchi Foundation Video

Cultural Resources of India

2 2.0

Talamaddale LecDemo

Sep 1, 2019 09/19

Sep 1, 2019 Sanchi Foundation

eye 2

favorite 0

comment 0

"Ninasam, Heggodu | Sanchi Foundation Presents Bhagawat: Subrahmanya Dhareswara Maddale: Nagabhushana, Kedalsara Chande: Bhargava K.N " "Location: Ninasam, Heggodu"
Topic: Sanchi Foundation Video

Cultural Resources of India

1 1.0

Talamaddale Discussion

Sep 1, 2019 09/19

Sep 1, 2019 Sanchi Foundation

eye 1

favorite 0

comment 0

Cultural Resources of India

5 5.0

Shani Mahatme

Sep 1, 2019 09/19

Sep 1, 2019 Sanchi Foundation

eye 5

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comment 0

"Shani prabhava or Raja Vikrama Mythical Drama by the members of Srirama Kripaposhita Nataka Mandali, Jettihundi Village, Mysore" "Location: Mogannegowda Open theater, Shree Mahalingeswara Temple, K.Hemmanahalli"
Topics: Theatre, Sanchi Foundation Video

Cultural Resources of India

3 3.0

Sanchi Knowledge Series Ullas Karanth.mov

Aug 31, 2019 08/19

Aug 31, 2019 Sanchi Foundation

eye 3

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"Sanchi Knowledge Series 1 Sanchi Foundation initiates its unique lecture series called “Knowledge Series” or ‘Gnana SaraNi (ಜ್ಞಾನ ಸರಣಿ)‘ in order to achieve its objective to document Heritage and Contemporary art and knowledge branches. Renowned conservation zoologist and a leading tiger expert Dr. K. Ullas Karanth gave the first lecture of this series. He spoke about “Todays Challenges in Environmental Protection”. He was accompanied by a national award...
Topic: Sanchi Foundation Video

Cultural Resources of India

2 2.0

Sanchi Knowledge Series S Settar

Aug 31, 2019 08/19

Aug 31, 2019 Sanchi Foundation

eye 2

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"Sanchi Knowledge Series 2 Prof. S. Settar - A renowned scholar in the field of History and Archeology Prof. S. Settar spoke about "History awareness in Commons" Location: National College Basavanagudi
Topic: Sanchi Foundation Video

Cultural Resources of India

3 3.0

Sanchi Knowledge Series Ranga Sangeetha.mov

Aug 31, 2019 08/19

Aug 31, 2019 Sanchi Foundation

eye 3

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"Ranga Sangeetha | Sanchi Knowledge Series 4 Lokacharita organized Lecture, Music Concert. ’Ranga Sangeetavu Kuda Charitreyannu Helaballude’ Lecture by Prof. J.Shrinivasmurthy Music - Lokacharita Music Team" "Location: M.E.S. Kishora Kendra, Malleshwaram"
Topic: Sanchi Foundation Video

Cultural Resources of India

3 3.0

Sanchi Knowledge Series Ramachandra Guha

Aug 31, 2019 08/19

Aug 31, 2019 Sanchi Foundation

eye 3

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"Ninasam Samskriti Shibira A Conversation with Gandhi - Ramachandra Guha"
Topic: Sanchi Foundation Video

Cultural Resources of India

5 5.0

Sanchi Knowledge Series Rajan Gurukkal

Aug 31, 2019 08/19

Aug 31, 2019 Sanchi Foundation

eye 5

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Hindutva or Hindu Swaraj U.R.Ananthamurthy Translated From the Kannada: Keerti Ramachandra, Vivek Shanbhag Location: Alliance Francaise De Bengaluru
Topic: Sanchi Foundation Video

Cultural Resources of India

2 2.0

Sanchi Knowledge Series Raghunandana

Aug 31, 2019 08/19

Aug 31, 2019 Sanchi Foundation

eye 2

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"Sanchi Knowledge Series 6 ’Kaleya Teelata and dinainada Dee: Ondarjenru Jijnaase’ Lecture by Raghunandana, Drama Director, Writer, Thinker" "Location: Gandhi Sahitya Sangha, Malleshwaram"
Topic: Sanchi Foundation Video

Cultural Resources of India

1 1.0

Ninasam Nirina Niludana

Aug 31, 2019 08/19

Aug 31, 2019 Sanchi Foundation

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Nirina Tana by Otto Shogo A play by the students of academic year 2009-10
Topics: Theatre, Sanchi Foundation Video

Cultural Resources of India

8 8.0

Ninasam Gokula Nirgamana

Aug 30, 2019 08/19

Aug 30, 2019 Sanchi Foundation

eye 8

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Ninasam Tirugata - 1993 Written by Pu.Ti. Narasihmachar Directed by B.V. Karanth
Topics: Theatre, Sanchi Foundation Video

Cultural Resources of India

3 3.0

Ninasam Chirakumara Saba

Aug 30, 2019 08/19

Aug 30, 2019 Sanchi Foundation

eye 3

favorite 0

comment 0

Topics: Theatre, Sanchi Foundation Video

Cultural Resources of India

4 4.0

Sanchi Knowledge Series Nagesh Hegde and TRA.mov

Aug 30, 2019 08/19

Aug 30, 2019 Sanchi Foundation

eye 4

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"Bangalore Lakes | Sanchi Knowledge Series 3 Nagesh Hegde - Teacher, Environmentalist,Writer, Journalist T.R.Ananthramu - Scientist, Researcher, Writer"
Topic: Sanchi Foundation Video

Cultural Resources of India

3 3.0

Sanchi Knowledge Series MS Prabhakara

Aug 30, 2019 08/19

Aug 30, 2019 Sanchi Foundation

eye 3

favorite 0

comment 0

"M.S.Prabhakara - Known to students of Kannada literature as "Kamaroopi", he is the author of "Kudure Motte" and "Ondu Tola Punugu". He is M S Prabhakara, MSP for short, in national and international journalist circles. He travelled from the government school in Katharipalya in Kolar to Central College in Bengaluru and ended up meditating on Kannada literature while in Assam. He taught English in Bengaluru, Dharwad and Gauhati. He moved to Mumbai to become a...
Topic: Sanchi Foundation Video

Cultural Resources of India

1 1.0

Sanchi Knowledge Series Mandra Sangeetha

Aug 30, 2019 08/19

Aug 30, 2019 Sanchi Foundation

eye 1

favorite 0

comment 0

Topic: Sanchi Foundation Video

Cultural Resources of India

2 2.0

Sanchi Knowledge Series Keerti Ramachandra

Aug 30, 2019 08/19

Aug 30, 2019 Sanchi Foundation

eye 2

favorite 0

comment 0

Hindutva or Hindu Swaraj U.R.Ananthamurthy Translated From the Kannada: Keerti Ramachandra, Vivek Shanbhag Location: Alliance Francaise De Bengaluru
Topics: Theatre, Sanchi Foundation Video

Cultural Resources of India

3 3.0

Sanchi Knowledge Series Aithala

Aug 30, 2019 08/19

Aug 30, 2019 Sanchi Foundation

eye 3

favorite 0

comment 0

"Sanchi Knowledge Series -8 Abhijaata Krutigalu Lecture by B.R Venkataramana Aithal, Writer, Thinker" "Location: Ninasam, Heggodu"
Topics: Theatre, Sanchi Foundation Video

Cultural Resources of India

5 5.0

Sanchi Knowledge Series KV Akshara

Aug 30, 2019 08/19

Aug 30, 2019 Sanchi Foundation

eye 5

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"Sanchi Knowledge Series -7 Expression of expression in different art forms Lecture by Akshara K.V., Writer, Thinker" "Location: Ninasam, Heggodu"
Topics: Theatre, Sanchi Foundation Video

Cultural Resources of India

4 4.0

Ranga Sangeetha Swapna Nataka

Aug 30, 2019 08/19

Aug 30, 2019 Sanchi Foundation

eye 4

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comment 0

Ninasam and Sanchi Foundation presents Ninasam Theatre Music Documentation Swapna Nataka - 1993 Ninasam Tirugata Playwriter: Bhasa Lyrics - Kirtinatha Kurtakoti Direction: Akshara K.V Music Composer: Yoganarasimha Narration: Akshara K.V. Translated by: Kirtinatha Kurtakoti "Location: Ninasam, Heggodu"
Topics: Theatre, Sanchi Foundation Video

Cultural Resources of India

4 4.0

Ranga Sangeetha Sthree Rupame

Aug 30, 2019 08/19

Aug 30, 2019 Sanchi Foundation

eye 4

favorite 0

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Ninasam and Sanchi Foundation presents Ninasam Theatre Music Documentation Vigata Vikrama Charita - 1986 Ninasam Tirugata Playwriter/Lyrics: Samsa Music Composer: B.V. Karanth Direction: Chidambara Rao Jambe Narration: B.R. Venkataramana Aithal "Location: Ninasam, Heggodu"
Topics: Theatre, Sanchi Foundation Video

Cultural Resources of India

3 3.0

Ranga Sangeetha Shishira Kusuma

Aug 30, 2019 08/19

Aug 30, 2019 Sanchi Foundation

eye 3

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comment 0

Ninasam and Sanchi Foundation presents Ninasam Theatre Music Documentation Gukula Nirgamana - 1993 Ninasam Tirugata Playwriter/ Lyrics: Pu.Ti.Na Direction/Music Composer: B.V.Karanth Narration: B.R. Venkataramana Aithal "Location: Ninasam, Heggodu"
Topics: Theatre, Sanchi Foundation Video

Cultural Resources of India

3 3.0

Ranga Sangeetha Salam Alekum

Aug 30, 2019 08/19

Aug 30, 2019 Sanchi Foundation

eye 3

favorite 0

comment 0

Ninasam and Sanchi Foundation presents Ninasam Theatre Music Documentation Sambashiva Prahasana - 1985 Ninasam Tirugata Playwriter/ Lyrics/Music Composer: Chandrashekhar Kambar Direction: Akshara K.V. Narration: Akshara K.V. "Location: Ninasam, Heggodu"
Topics: Theatre, Sanchi Foundation Video

Cultural Resources of India

5 5.0

Ranga Sangeetha Rati Sukha Saare

Aug 30, 2019 08/19

Aug 30, 2019 Sanchi Foundation

eye 5

favorite 0

comment 0

Ninasam and Sanchi Foundation presents Ninasam Theatre Music Documentation Vigata Vikrama Charita - 1986 Ninasam Tirugata Playwriter: Samsa Lyrics: Jayadeva (Geetagovinda) Music Composer: B.V. Karanth Direction: Chidambara Rao Jambe Narration: B.R. Venkataramana Aithal "Location: Ninasam, Heggodu"
Topics: Theatre, Sanchi Foundation Video

Cultural Resources of India

2 2.0

Ranga Sangeetha O Raja Aithe Maja

Aug 30, 2019 08/19

Aug 30, 2019 Sanchi Foundation

eye 2

favorite 0

comment 0

Cultural Resources of India

1 1.0

Ranga Sangeetha Nannolu Naa Ninnolu Nee

Aug 30, 2019 08/19

Aug 30, 2019 Sanchi Foundation

eye 1

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comment 0

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Subject	Poster	Forum	Replies	Date
Re: a standard	Public Resource	us_congress	1	Mar 15, 2007 5:31pm Mar 15, 2007 5:31pm
a standard	Public Resource	us_congress	2	Mar 13, 2007 1:37am Mar 13, 2007 1:37am

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