Adoration of the Magi, 1642. Guido Reni (Italian, 1575-1642). Oil on canvas; framed: 378 x 280.5 x 10.5 cm (148 13/16 x 110 7/16 x 4 1/8 in.); unframed: 367.3 x 268.6 cm (144 5/8 x 105 3/4 in.). The Cleveland Museum of Art, Leonard C. Hanna, Jr. Fund 1969.132
This large altarpiece was in the artist's studio when he died, and parts of the composition appear incomplete. Some figures lack color, and Reni never finished the wooden structure. The silvery ground layer appears everywhere, as do his changes to the composition, such as the dog's head above the angel's right knee and the adjustment to Christ's right leg, covered in blue. However, Reni's death does not fully explain the unfinished quality. Toward the end of his career, he increasingly painted in a loose and sketchy manner-popular with collectors at the time-an approach implying that concrete forms could never depict the ideal, spiritual world Reni aimed to present.
Framed: 378 x 280.5 x 10.5 cm (148 13/16 x 110 7/16 x 4 1/8 in.); Unframed: 367.3 x 268.6 cm (144 5/8 x 105 3/4 in.)
217 Italian Baroque
oil on canvas
The Cleveland Museum of Art, Cleveland, Ohio (1969-) (P.&D. Colnaghi & Co., Ltd., London), sold to the Cleveland Museum of Art 1 (by 1968-1969) Corsini Collection, Florence, to Colnaghi 1 (Probably 1880-by 1968) Barberini-Colonna di Sciarra collection, Rome, by descent to the Corsini collection (Probably 1812-1880) Cardinal Francesco Barberini [1597 –1679] by inheritance within the Barberini family, Barberini Palace, Rome, by descent to the Barberini-Colonna di Sciarra collection 1 (1645-1812)