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Brooklyn Museum
by James Tissot
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Object metadata can change over time, please check the Brooklyn Museum object record for the latest information.
Topics: art, European Art
Object metadata can change over time, please check the Brooklyn Museum object record for the latest information.
Topics: art, European Art
Brooklyn Museum
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This episode reveals Jesus’ concern for the outcasts of society: in this case, those afflicted with leprosy, a chronic disease. The leper kneels in the center foreground of the image—dramatically making his plea to Jesus with his bandaged arms upraised. Referring to ancient laws regarding the lepers, Tissot writes that the man occupies the center of the road to permit the healthy to pass with ease on either side of the path. In the Gospel text, Jesus later urges the healed man to keep quiet...
Topics: art, European Art
Brooklyn Museum
by James Tissot
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With the parable depicted here, Jesus preaches compassion, telling of a traveler waylaid by robbers in the treacherous, rocky territory between Jerusalem and Jericho. Though clearly in need of aid, the victim was ignored by a priest and a Levite—both devout men—but aided by a Samaritan, from an ethnic group ordinarily considered the enemies of the Jews. Object metadata can change over time, please check the Brooklyn Museum object record for the latest information.
Topics: art, European Art
Brooklyn Museum
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In Luke’s telling, Jesus returns to Nazareth, the town of his childhood, and goes to the synagogue on the Sabbath. Reading a passage from Isaiah, he declares himself the fulfillment of the prophet’s words, as the means of redemption and healing for the marginalized, afflicted, and oppressed. Those gathered in the synagogue react with wonder to find the prophecy realized in one of their own—“Joseph’s son,” as the group calls him. However, Jesus warns that his path promises hardship,...
Topics: art, European Art
Brooklyn Museum
by James Tissot
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Object metadata can change over time, please check the Brooklyn Museum object record for the latest information.
Topics: art, European Art
Brooklyn Museum
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While the scenes of the Crucifixion examine the precise mechanics of the execution, lending a credible veracity to the ancient events, this image takes a more mystical or fantastical approach. Immediately after the death of Jesus, Matthew writes, tombs broke open and the bodies of many holy persons who had died came back to life, went into the city, and showed themselves to the people. Tissot paints the risen dead as spectral forms, flying through Jerusalem and the Temple precinct, scattering...
Topics: art, European Art
Brooklyn Museum
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Object metadata can change over time, please check the Brooklyn Museum object record for the latest information.
Topics: art, European Art
Brooklyn Museum
by James Tissot
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Brought before a tribunal presided over by the chief priest Caiaphas, Jesus, bound in chains but standing with dignified calm, hears many give testimony against him, though none can agree on a charge or crime, much to the frustration of the priests. Tissot visually conveys the accumulation of these accusations by filling the gallery at left with a frenzied crowd, each person raising his hand to be heard by the judges, who occupy an unseen but elevated dais at the top of the stairs to the right....
Topics: art, European Art
Brooklyn Museum
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Object metadata can change over time, please check the Brooklyn Museum object record for the latest information.
Topics: art, European Art
Brooklyn Museum
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Object metadata can change over time, please check the Brooklyn Museum object record for the latest information.
Topics: art, European Art
Brooklyn Museum
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Object metadata can change over time, please check the Brooklyn Museum object record for the latest information.
Topics: art, European Art
Object metadata can change over time, please check the Brooklyn Museum object record for the latest information.
Topics: art, European Art
Brooklyn Museum
by James Tissot
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Object metadata can change over time, please check the Brooklyn Museum object record for the latest information.
Topics: art, European Art
Brooklyn Museum
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Object metadata can change over time, please check the Brooklyn Museum object record for the latest information.
Topics: art, European Art
Brooklyn Museum
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Object metadata can change over time, please check the Brooklyn Museum object record for the latest information.
Topics: art, European Art
Brooklyn Museum
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Object metadata can change over time, please check the Brooklyn Museum object record for the latest information.
Topics: art, European Art
Brooklyn Museum
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Object metadata can change over time, please check the Brooklyn Museum object record for the latest information.
Topics: art, European Art
Brooklyn Museum
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Object metadata can change over time, please check the Brooklyn Museum object record for the latest information.
Topics: art, European Art
Brooklyn Museum
by James Tissot
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eye 72
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Object metadata can change over time, please check the Brooklyn Museum object record for the latest information.
Topics: art, European Art
Brooklyn Museum
by James Tissot
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Object metadata can change over time, please check the Brooklyn Museum object record for the latest information.
Topics: art, European Art
Brooklyn Museum
by James Tissot
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Following the scourging, or flagellation, the Roman soldiers clothe Christ in a scarlet cloak, thus mocking his claims to royalty. Tissot reminds his readers of the color’s associations in Jewish tradition, noting that wearing this color marks Jesus as the bearer of humanity’s sins. Tissot discusses in great detail the construction of the crown of thorns shown here, the base of which, he claims, was formed by a band of rushes and could still be seen at the Cathedral of Notre-Dame in Paris...
Topics: art, European Art
Brooklyn Museum
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Jesus appears with his hands folded over his heart, his gaze direct, his expression composed. As Moses commanded in the Old Testament books of Numbers and Deuteronomy, Jesus wears a prayer shawl as a sign of his adherence to the rituals of Judaism. Tissot derived this image from a larger watercolor in the series in which Jesus gives his last discourse to his disciples after the departure of Judas. He urges them to love one another as he has loved them. Object metadata can change over time,...
Topics: art, European Art
Brooklyn Museum
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Object metadata can change over time, please check the Brooklyn Museum object record for the latest information.
Topics: art, European Art
Brooklyn Museum
by James Tissot
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Object metadata can change over time, please check the Brooklyn Museum object record for the latest information.
Topics: art, European Art
Brooklyn Museum
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When warned by Jesus that he would deny him three times before the cock crowed—before the dawn—Peter vehemently objected, asserting his fidelity and pledging to die alongside Jesus. However, the prophecy is realized. Peter first denies his status as a disciple to the maidservant who points an accusatory finger at him while guarding the door to the chief priest’s chamber. Later, admitted to the priest’s rooms, where he warms himself by the fire, Peter again rejects the association when...
Topics: art, European Art
Brooklyn Museum
by James Tissot
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Object metadata can change over time, please check the Brooklyn Museum object record for the latest information.
Topics: art, European Art
Brooklyn Museum
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Object metadata can change over time, please check the Brooklyn Museum object record for the latest information.
Topics: art, European Art
Brooklyn Museum
by James Tissot
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As Christ ascends to heaven, several witnesses shade their eyes from the blinding view overhead. According to Tissot, the Ascension completes the “original idea of Creation,” which was “redemption through Christ”; now humanity, too, is permitted to share in divine glory. “The cloud which ‘received Christ from sight’ is like the curtain which falls at the close of a drama,” he comments. In the foreground of the image, Christ’s two footprints remain pressed into the earth as...
Topics: art, European Art
Brooklyn Museum
by James Tissot
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Object metadata can change over time, please check the Brooklyn Museum object record for the latest information.
Topics: art, European Art
Brooklyn Museum
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Object metadata can change over time, please check the Brooklyn Museum object record for the latest information.
Topics: art, European Art
Brooklyn Museum
by James Tissot
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Object metadata can change over time, please check the Brooklyn Museum object record for the latest information.
Topics: art, European Art
Brooklyn Museum
by James Tissot
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Object metadata can change over time, please check the Brooklyn Museum object record for the latest information.
Topics: art, European Art
Brooklyn Museum
by James Tissot
image
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Object metadata can change over time, please check the Brooklyn Museum object record for the latest information.
Topics: art, European Art
Brooklyn Museum
by James Tissot
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Following the Last Supper, Jesus and the apostles retreat to Gethsemane (an olive grove) on the Mount of Olives. While his disciples rest, Christ prays alone, asking God if it is possible to let his sufferings pass him by, yet reaffirming his commitment to submit to God’s will. Luke writes that an angel comes to strengthen him, though in his anguish Jesus sweats blood, a graphic detail that, unusually, Tissot omits. While Luke’s account says that Christ receives comfort from the angel,...
Topics: art, European Art
Brooklyn Museum
by James Tissot
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Tissot opens the section on Jesus’ ministry by introducing John the Baptist, who prophesied his coming, urged repentance, and practiced the cleansing rite of baptism. Calling out from the vast, rugged deserts of Judaea, the Baptist here throws his arms up in the air. In his commentary, Tissot notes the resounding echo effect in the rocky valleys the Baptist inhabited, heightening his emphatic call to “make straight the way of the Lord.” The artist’s commentaries, which at times read...
Topics: art, European Art
Brooklyn Museum
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As Jesus continues on his route to Calvary, a woman now known as Saint Veronica approaches to offer momentary respite. Kneeling before Jesus, she gives him linen to wipe his face of the sweat and blood from his exertions and wounds. Taking the cloth in both hands, he presses it to his face, leaving a likeness of his features, which Veronica cherished as a memorial to him. In his commentary, Tissot notes that this relic was later taken to Rome for safekeeping by the Church. Object metadata can...
Topics: art, European Art
Brooklyn Museum
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Although Herod had imprisoned John the Baptist for speaking against his marriage to Herodias, the ruler admired the Baptist as a wise and righteous man. On the occasion of Herod’s birthday, Salome, the daughter of Herodias, dances before the guests, pleasing the host so much that he promises her anything she wants. Tissot notes that he found inspiration for his image of Salome’s acrobatic dance in ancient reliefs from sources as diverse as Egypt, India, and Persia as well as the reliefs of...
Topics: art, European Art
Brooklyn Museum
by James Tissot
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From Solomon’s Porch in the Temple complex, Jesus berates a large crowd of the devout for the killing of the prophets and predicts their rejection of him. Tissot paints Christ with his back turned to the viewer, an isolated figure. Object metadata can change over time, please check the Brooklyn Museum object record for the latest information.
Topics: art, European Art
Brooklyn Museum
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Object metadata can change over time, please check the Brooklyn Museum object record for the latest information.
Topics: art, European Art
Brooklyn Museum
by James Tissot
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Object metadata can change over time, please check the Brooklyn Museum object record for the latest information.
Topics: art, European Art
Brooklyn Museum
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Object metadata can change over time, please check the Brooklyn Museum object record for the latest information.
Topics: art, European Art
Brooklyn Museum
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Object metadata can change over time, please check the Brooklyn Museum object record for the latest information.
Topics: art, European Art
Brooklyn Museum
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Object metadata can change over time, please check the Brooklyn Museum object record for the latest information.
Topics: art, European Art
Brooklyn Museum
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Apart from Jesus, Mary Magdalene is the only individual in Tissot’s series accorded more than one study, or portrait—an exception that announces her importance, not only to the narrative itself but also to the artist. As scholars have suggested, Tissot appears to have modeled the Magdalene’s features after his late mistress, Mrs. Kathleen Newton, who had died of tuberculosis in 1882. Like many in the nineteenth century, the painter was particularly interested in the occult, and he had...
Topics: art, European Art
Brooklyn Museum
by James Tissot
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As Jesus expires on the cross, he utters the words “It is finished.” In this image, the spirits of the Old Testament prophets hover around the transverse bar of his crucifix, welcoming him into their company. Within the six-pointed Star of David, Tissot has painted the Hebrew word for Lord, further underscoring Christ’s role in the divine plan. Asserting that their “prophecies are accomplished,” the artist shows the hovering prophets triumphantly holding scriptural scrolls above their...
Topics: art, European Art
Brooklyn Museum
by James Tissot
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Object metadata can change over time, please check the Brooklyn Museum object record for the latest information.
Topics: art, European Art
Brooklyn Museum
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Object metadata can change over time, please check the Brooklyn Museum object record for the latest information.
Topics: art, European Art
Brooklyn Museum
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Object metadata can change over time, please check the Brooklyn Museum object record for the latest information.
Topics: art, European Art
Brooklyn Museum
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Object metadata can change over time, please check the Brooklyn Museum object record for the latest information.
Topics: art, European Art
Object metadata can change over time, please check the Brooklyn Museum object record for the latest information.
Topics: art, European Art
Brooklyn Museum
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Object metadata can change over time, please check the Brooklyn Museum object record for the latest information.
Topics: art, European Art
Brooklyn Museum
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Object metadata can change over time, please check the Brooklyn Museum object record for the latest information.
Topics: art, European Art
Object metadata can change over time, please check the Brooklyn Museum object record for the latest information.
Topics: art, European Art
Brooklyn Museum
by James Tissot
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Object metadata can change over time, please check the Brooklyn Museum object record for the latest information.
Topics: art, European Art
Brooklyn Museum
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Mary Magdalene kneels before Christ and anoints his feet, wiping away the excess oil with her hair, a gesture of deference and devotion. The disciples—especially Judas Iscariot, Tissot notes, in a commentary based on John’s account—are indignant at the gesture’s expense, asking could not this costly ointment be sold and its profits given to the poor? However, Jesus defends Mary’s prescience: “She did it,” he tells them, “for my burial.” Object metadata can change over time,...
Topics: art, European Art
Brooklyn Museum
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This painting illustrates a parable in which Jesus likens those who ignore his teachings to the blind leading the blind. Holding on to one another but without informed guidance, the blind are vulnerable to danger. In his commentary, Tissot asserts that during his stay in Jerusalem he observed the following practice: “In the streets of Jerusalem numbers of blind men may still sometimes be seen, walking one behind the other in files, and clinging to each other, under the leadership of one of...
Topics: art, European Art
Brooklyn Museum
by James Tissot
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Object metadata can change over time, please check the Brooklyn Museum object record for the latest information.
Topics: art, European Art
Brooklyn Museum
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Jesus further shows his acceptance of those rejected by society by inviting Matthew—a publican, or toll collector—into his ministry, as he passes his booth. Not only were these tax collectors considered unscrupulous, but they were also particularly loathed by devout Jews for their status as representatives of the ruling Romans. Tissot has included camels and the hint of a wide-arched gate to underscore Matthew’s location at a geographical (and perhaps, spiritual) crossroads, as well as...
Topics: art, European Art
Brooklyn Museum
by James Tissot
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Object metadata can change over time, please check the Brooklyn Museum object record for the latest information.
Topics: art, European Art
Brooklyn Museum
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Object metadata can change over time, please check the Brooklyn Museum object record for the latest information.
Topics: art, European Art
Brooklyn Museum
by James Tissot
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Object metadata can change over time, please check the Brooklyn Museum object record for the latest information.
Topics: art, European Art
Brooklyn Museum
by James Tissot
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eye 84
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Object metadata can change over time, please check the Brooklyn Museum object record for the latest information.
Topics: art, European Art
Brooklyn Museum
by James Tissot
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Mary Magdalene, meeting the resurrected Christ, falls to the ground “thinking to resume her old place at the feet of Jesus and to embrace them,” as Tissot notes. While Christ had encouraged the Magdalene’s ministrations in an earlier scene, The Ointment of the Magdalene , now he counsels caution, warning, “Touch me not”; the time for such familiarity has passed. The Magdalene’s prostrate body and full, flowing hair provide a clear visual cross-reference, effectively linking the two...
Topics: art, European Art
Brooklyn Museum
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For this scene, Tissot directly integrated one of the motifs from his extensive sketching campaigns in Palestine into a finished composition for the Gospel narrative. Here, a large boulder the artist had drawn by the Sea of Tiberias becomes the rock on which Jesus sits as he preaches to his followers. Such direct correlations between the sketched motif and the Gospel narrative evoke Tissot’s claim for what he termed hyperaesthesia —a combination of direct observation of his surroundings and...
Topics: art, European Art
Brooklyn Museum
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Object metadata can change over time, please check the Brooklyn Museum object record for the latest information.
Topics: art, European Art
Brooklyn Museum
by James Tissot
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Object metadata can change over time, please check the Brooklyn Museum object record for the latest information.
Topics: art, European Art
Brooklyn Museum
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Following Jesus’ triumphal entry into Jerusalem, the chief priests and scribes meet to discuss their response to the challenge of his increasing popularity: they resolve to find a way to destroy him. Once more, Tissot focuses on the costumes of the priests, with their elaborately woven and draped textiles (fringed with fur, in the case of the white-bearded priest at center), and the lavish building materials of the Temple complex, with its marble columns topped with carved capitals. The...
Topics: art, European Art
Brooklyn Museum
by James Tissot
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Object metadata can change over time, please check the Brooklyn Museum object record for the latest information.
Topics: art, European Art
Brooklyn Museum
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Object metadata can change over time, please check the Brooklyn Museum object record for the latest information.
Topics: art, European Art
Already weak from beatings and the labor of carrying his heavy cross, Jesus falls for a second time. A man named Simon of Cyrene, a resident of North Africa, is pressed into service to help with the burden. Taking him roughly by the shoulders, the guards urge Simon, clothed in a short blue tunic, to carry the long central beam, as Jesus lies motionless on the cobbled street. Following the procession, a boy carries the title that will be affixed to the Cross. Spelled out in Hebrew, Greek, and...
Topics: art, European Art
Brooklyn Museum
by James Tissot
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Object metadata can change over time, please check the Brooklyn Museum object record for the latest information.
Topics: art, European Art
Brooklyn Museum
by James Tissot
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Object metadata can change over time, please check the Brooklyn Museum object record for the latest information.
Topics: art, European Art
Brooklyn Museum
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When Jesus dines in the house of one of the Pharisees, he does not wash his hands though Jewish ritual demanded it. When reproached by his host, Jesus, in turn, indicts the Pharisees for their hypocrisy: their emphasis on the appearance of righteousness through ceremony rather than true belief. In Tissot’s painting, Jesus condemns this group—much to their dismay and protest—with a dynamic gesture. Object metadata can change over time, please check the Brooklyn Museum object record for the...
Topics: art, European Art
Brooklyn Museum
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As news of Jesus’ teachings and deeds spread, his followers grew in number. Without adequate provisions to feed them, Jesus gathers five loaves and two fishes from a young boy in this large company, and after giving thanks to God, distributes them, managing to feed all who are hungry. Tissot offers an expansive view of the scene, one so broad that it becomes difficult to distinguish Jesus himself, at the upper right. However, this compositional strategy emphasizes the magnitude of the miracle...
Topics: art, European Art