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Brooklyn Museum
by James Tissot
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Object metadata can change over time, please check the Brooklyn Museum object record for the latest information.
Topics: art, European Art
Brooklyn Museum
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eye 176
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Object metadata can change over time, please check the Brooklyn Museum object record for the latest information.
Topics: art, European Art
Brooklyn Museum
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Following his presentation to the crowds from the loggia, Jesus is taken from Pilate’s palace—at half past eleven in the morning, Tissot precisely notes—to the public square where he will be officially condemned to death. Made a figure of mockery, Jesus is forced to wear the crown of thorns as well as the short scarlet cloak and carries a reed, meant to evoke a royal scepter. Focusing on the injuries suffered by Jesus, Tissot also notes that, at every step, the woolen cloak would have...
Topics: art, European Art
Brooklyn Museum
by James Tissot
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eye 74
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Object metadata can change over time, please check the Brooklyn Museum object record for the latest information.
Topics: art, European Art
Brooklyn Museum
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Following Jesus’ triumphal entry into Jerusalem, the chief priests and scribes meet to discuss their response to the challenge of his increasing popularity: they resolve to find a way to destroy him. Once more, Tissot focuses on the costumes of the priests, with their elaborately woven and draped textiles (fringed with fur, in the case of the white-bearded priest at center), and the lavish building materials of the Temple complex, with its marble columns topped with carved capitals. The...
Topics: art, European Art
Brooklyn Museum
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eye 110
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Object metadata can change over time, please check the Brooklyn Museum object record for the latest information.
Topics: art, European Art
Brooklyn Museum
by James Tissot
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eye 61
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Object metadata can change over time, please check the Brooklyn Museum object record for the latest information.
Topics: art, European Art
Brooklyn Museum
image
eye 89
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Object metadata can change over time, please check the Brooklyn Museum object record for the latest information.
Topics: art, European Art
Brooklyn Museum
by James Tissot
image
eye 88
favorite 1
comment 0
Object metadata can change over time, please check the Brooklyn Museum object record for the latest information.
Topics: art, European Art
Brooklyn Museum
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eye 355
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Object metadata can change over time, please check the Brooklyn Museum object record for the latest information.
Topics: art, European Art
Brooklyn Museum
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eye 92
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Object metadata can change over time, please check the Brooklyn Museum object record for the latest information.
Topics: art, European Art
Brooklyn Museum
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eye 96
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Object metadata can change over time, please check the Brooklyn Museum object record for the latest information.
Topics: art, European Art
Brooklyn Museum
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eye 117
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Object metadata can change over time, please check the Brooklyn Museum object record for the latest information.
Topics: art, European Art
Object metadata can change over time, please check the Brooklyn Museum object record for the latest information.
Topics: art, European Art
Brooklyn Museum
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eye 84
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Object metadata can change over time, please check the Brooklyn Museum object record for the latest information.
Topics: art, European Art
Brooklyn Museum
by James Tissot
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eye 68
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Object metadata can change over time, please check the Brooklyn Museum object record for the latest information.
Topics: art, European Art
Brooklyn Museum
by James Tissot
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eye 58
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Object metadata can change over time, please check the Brooklyn Museum object record for the latest information.
Topics: art, European Art
Brooklyn Museum
by James Tissot
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eye 52
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Object metadata can change over time, please check the Brooklyn Museum object record for the latest information.
Topics: art, European Art
Brooklyn Museum
by James Tissot
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eye 148
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Object metadata can change over time, please check the Brooklyn Museum object record for the latest information.
Topics: art, European Art
Brooklyn Museum
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eye 87
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Object metadata can change over time, please check the Brooklyn Museum object record for the latest information.
Topics: art, European Art
Brooklyn Museum
by James Tissot
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eye 71
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Object metadata can change over time, please check the Brooklyn Museum object record for the latest information.
Topics: art, European Art
Brooklyn Museum
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eye 72
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Object metadata can change over time, please check the Brooklyn Museum object record for the latest information.
Topics: art, European Art
Brooklyn Museum
by James Tissot
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eye 129
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Object metadata can change over time, please check the Brooklyn Museum object record for the latest information.
Topics: art, European Art
Brooklyn Museum
by James Tissot
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eye 62
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Object metadata can change over time, please check the Brooklyn Museum object record for the latest information.
Topics: art, European Art
Brooklyn Museum
by James Tissot
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Object metadata can change over time, please check the Brooklyn Museum object record for the latest information.
Topics: art, European Art
Brooklyn Museum
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For this scene, Tissot directly integrated one of the motifs from his extensive sketching campaigns in Palestine into a finished composition for the Gospel narrative. Here, a large boulder the artist had drawn by the Sea of Tiberias becomes the rock on which Jesus sits as he preaches to his followers. Such direct correlations between the sketched motif and the Gospel narrative evoke Tissot’s claim for what he termed hyperaesthesia —a combination of direct observation of his surroundings and...
Topics: art, European Art
Brooklyn Museum
by James Tissot
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eye 45
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Object metadata can change over time, please check the Brooklyn Museum object record for the latest information.
Topics: art, European Art
Brooklyn Museum
by James Tissot
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Mary Magdalene, meeting the resurrected Christ, falls to the ground “thinking to resume her old place at the feet of Jesus and to embrace them,” as Tissot notes. While Christ had encouraged the Magdalene’s ministrations in an earlier scene, The Ointment of the Magdalene , now he counsels caution, warning, “Touch me not”; the time for such familiarity has passed. The Magdalene’s prostrate body and full, flowing hair provide a clear visual cross-reference, effectively linking the two...
Topics: art, European Art
Already weak from beatings and the labor of carrying his heavy cross, Jesus falls for a second time. A man named Simon of Cyrene, a resident of North Africa, is pressed into service to help with the burden. Taking him roughly by the shoulders, the guards urge Simon, clothed in a short blue tunic, to carry the long central beam, as Jesus lies motionless on the cobbled street. Following the procession, a boy carries the title that will be affixed to the Cross. Spelled out in Hebrew, Greek, and...
Topics: art, European Art
Brooklyn Museum
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Object metadata can change over time, please check the Brooklyn Museum object record for the latest information.
Topics: art, European Art
Brooklyn Museum
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This painting illustrates a parable in which Jesus likens those who ignore his teachings to the blind leading the blind. Holding on to one another but without informed guidance, the blind are vulnerable to danger. In his commentary, Tissot asserts that during his stay in Jerusalem he observed the following practice: “In the streets of Jerusalem numbers of blind men may still sometimes be seen, walking one behind the other in files, and clinging to each other, under the leadership of one of...
Topics: art, European Art
Brooklyn Museum
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For his narrative of the life of Christ, Tissot created a “harmony” of the Gospels, combining the separate accounts of Jesus’ life attributed to the apostles Matthew, Mark, Luke, and John. These four New Testament texts differ from one another in theological emphasis and tone. A harmony, a literary form traced to the second-century Christian writer Tatian, seeks to reconcile the differences among the four Gospels and to piece together one continuous chronology of Jesus’ life, verse by...
Topics: art, European Art
Brooklyn Museum
by James Tissot
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eye 98
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Object metadata can change over time, please check the Brooklyn Museum object record for the latest information.
Topics: art, European Art
Brooklyn Museum
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Jesus further shows his acceptance of those rejected by society by inviting Matthew—a publican, or toll collector—into his ministry, as he passes his booth. Not only were these tax collectors considered unscrupulous, but they were also particularly loathed by devout Jews for their status as representatives of the ruling Romans. Tissot has included camels and the hint of a wide-arched gate to underscore Matthew’s location at a geographical (and perhaps, spiritual) crossroads, as well as...
Topics: art, European Art
Brooklyn Museum
by James Tissot
image
eye 87
favorite 2
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Object metadata can change over time, please check the Brooklyn Museum object record for the latest information.
Topics: art, European Art
Object metadata can change over time, please check the Brooklyn Museum object record for the latest information.
Topics: art, European Art
Brooklyn Museum
image
eye 93
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Object metadata can change over time, please check the Brooklyn Museum object record for the latest information.
Topics: art, European Art
Brooklyn Museum
by James Tissot
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eye 63
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Object metadata can change over time, please check the Brooklyn Museum object record for the latest information.
Topics: art, European Art
Drawing on a story from the apocryphal Protoevangelion of James, Tissot depicts the expectant mood in the Temple as eligible bachelors await the sign that will determine the identity of the Holy Virgin’s betrothed. In Tissot’s image, the high priest emerges from an inner sanctuary into a richly appointed area with patterned rugs and marble columns to give each man a staff. Ranging in age from fresh-faced youths to white-bearded old men, the suitors look expectantly at the priest as he...
Topics: art, European Art
Brooklyn Museum
by James Tissot
image
eye 97
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Object metadata can change over time, please check the Brooklyn Museum object record for the latest information.
Topics: art, European Art
Object metadata can change over time, please check the Brooklyn Museum object record for the latest information.
Topics: art, European Art
Brooklyn Museum
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Jesus receives numerous requests for healings, creating a crush of supplicants. Eager to reach him, after he has retired to the privacy of a home, four men lower a paralytic through the roof into the welcoming arms of Jesus—a powerfully dramatic image. Tissot heightens the sense of the sick man’s helplessness with his flailing, outstretched arms, a counterpoint to Christ’s controlled gesture of acceptance. Object metadata can change over time, please check the Brooklyn Museum object...
Topics: art, European Art
Brooklyn Museum
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As news of Jesus’ teachings and deeds spread, his followers grew in number. Without adequate provisions to feed them, Jesus gathers five loaves and two fishes from a young boy in this large company, and after giving thanks to God, distributes them, managing to feed all who are hungry. Tissot offers an expansive view of the scene, one so broad that it becomes difficult to distinguish Jesus himself, at the upper right. However, this compositional strategy emphasizes the magnitude of the miracle...
Topics: art, European Art
Brooklyn Museum
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In the third temptation, the devil carries a passive Jesus up to a high pinnacle of the Temple, where he is challenged to jump and prove his protection by God’s angels. However, Jesus steadfastly retains his faith and refuses to test God. This image demonstrates bravura watercolor technique, contrasting the transparency of the devil’s horned, clawed, and winged body with the solid masonry of the Temple. Moreover, as a matter of storytelling skill, note that this bird’s-eye view looks down...
Topics: art, European Art
Brooklyn Museum
by James Tissot
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eye 98
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Object metadata can change over time, please check the Brooklyn Museum object record for the latest information.
Topics: art, European Art
Brooklyn Museum
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When Jesus dines in the house of one of the Pharisees, he does not wash his hands though Jewish ritual demanded it. When reproached by his host, Jesus, in turn, indicts the Pharisees for their hypocrisy: their emphasis on the appearance of righteousness through ceremony rather than true belief. In Tissot’s painting, Jesus condemns this group—much to their dismay and protest—with a dynamic gesture. Object metadata can change over time, please check the Brooklyn Museum object record for the...
Topics: art, European Art
Brooklyn Museum
image
eye 146
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Object metadata can change over time, please check the Brooklyn Museum object record for the latest information.
Topics: art, European Art
Brooklyn Museum
image
eye 118
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Object metadata can change over time, please check the Brooklyn Museum object record for the latest information.
Topics: art, European Art
Although Matthew, Mark, and Luke all describe Christ’s temptations by Satan, Tissot cites only the version given by Luke. For reasons that remain unclear, he changes the order of the tests given by Luke. In Tissot’s first image, Satan abducts Jesus and soars to a precipitous height—emphasized by the low, bright horizon line in the distance. The shadowy darkness of the claw-toed devil contrasts with Jesus’ pristine white cloak. From their great height, Satan tempts Jesus with the many...
Topics: art, European Art
Brooklyn Museum
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Paying his usual rigorous attention to researching the settings for his interpretation of the narrative, Tissot places the episode of Jesus’ birth in one of the caves in the mountains in and around Bethlehem, a departure from visual tradition, which often locates the Nativity in a stable. Unable to find rooms in the town, Mary and Joseph take shelter here. In his commentary, Tissot explains the presence of animals who gaze upon the newborn Jesus by noting that shepherds often used these caves...
Topics: art, European Art
Brooklyn Museum
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While crossing the Sea of Galilee in a ship during the night, Jesus and his disciples are overtaken by a storm. Tissot omits any sign of landfall, heightening the sense of danger in the rough, stormy sea. Awakened by his followers, who fear for their lives, Jesus quiets the tempest with a dramatic and dynamic gesture and rebukes his companions for their lack of faith. Tissot’s commentary connects this shipboard miracle with the miraculous draught of fishes, noting: “It was in the same boat,...
Topics: art, European Art
Brooklyn Museum
image
eye 85
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Object metadata can change over time, please check the Brooklyn Museum object record for the latest information.
Topics: art, European Art
Brooklyn Museum
by James Tissot
image
eye 82
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Object metadata can change over time, please check the Brooklyn Museum object record for the latest information.
Topics: art, European Art
Brooklyn Museum
image
eye 145
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Seeking solitude for prayer following the miracle of the loaves and fishes, Jesus retreats to the peak of a mountain. Tissot’s commentary observes that such solitary moments precede many significant episodes in Jesus’ ministry, including the Ordaining of the Apostles, the Sermon of the Beatitudes, and the Transfiguration, noting Jesus’ preference for “lofty spots,” elevations near to God, for these meditative respites. In this dramatic image, Tissot sets Jesus against a night sky, his...
Topics: art, European Art
Object metadata can change over time, please check the Brooklyn Museum object record for the latest information.
Topics: art, European Art
Brooklyn Museum
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As earlier temptation episodes foretold, the devil left Jesus “for a season” but reappeared time and again to test him in the form of possessed outcasts. Here, in a barren landscape pocked with caves and tombs—a terrain familiar from Tissot’s sketches of the Valley of Hinnom—Jesus encounters two men afflicted with demons, while a herd of swine wanders on the horizon. Tissot notes that the Gentiles, sometimes in the employ of Jews, tended swine in these lands, despite Jewish tradition,...
Topics: art, European Art
Brooklyn Museum
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Mary Magdalene kneels before Christ and anoints his feet, wiping away the excess oil with her hair, a gesture of deference and devotion. The disciples—especially Judas Iscariot, Tissot notes, in a commentary based on John’s account—are indignant at the gesture’s expense, asking could not this costly ointment be sold and its profits given to the poor? However, Jesus defends Mary’s prescience: “She did it,” he tells them, “for my burial.” Object metadata can change over time,...
Topics: art, European Art
Brooklyn Museum
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In the most memorable, and even notorious, of Tissot’s images, Christ looks out at the crowd of spectators arrayed before him: Mary Magdalene, in the immediate foreground, with her long red tresses swirling down her back, kneels at his feet, which are clearly visible at the bottom center of the composition. Beyond her, the Virgin Mary clutches her breast, while John the Evangelist looks up with hands clasped. The artist here adopts the point of view of Christ himself. Few painters have...
Topics: art, European Art
Brooklyn Museum
by James Tissot
image
eye 216
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Object metadata can change over time, please check the Brooklyn Museum object record for the latest information.
Topics: art, European Art
Brooklyn Museum
by James Tissot
image
eye 191
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Object metadata can change over time, please check the Brooklyn Museum object record for the latest information.
Topics: art, European Art
Brooklyn Museum
by James Tissot
image
eye 108
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Object metadata can change over time, please check the Brooklyn Museum object record for the latest information.
Topics: art, European Art
Brooklyn Museum
by James Tissot
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eye 336
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In this chapter of Matthew, Jesus teaches frequently with parables, or fables—a strategy that frustrates his disciples, who ask him why he uses this challenging method of preaching. To explain his pedagogy, Jesus invokes yet another parable, the fable of the sower. The sower scatters his seeds on inhospitable terrain—rocky, thorny, and dry—seemingly to no effect. But many of the seeds do find fertile ground, producing a plentiful harvest. For Jesus, his words are like the seeds of the...
Topics: art, European Art
Brooklyn Museum
by James Tissot
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Speaking to those who challenge his teachings and his deeds, Jesus likens himself to the good shepherd, pictured here, who devotes his life, and sacrifices his own well-being, to protect the sheep in his care. This analogy anticipates the ultimate sacrifice that Jesus will make for his “flock” of followers and humankind. Tissot notes that this parable is among the most beautiful in the Gospels—and, indeed, one with an enduring visual history. The artist cites the earliest examples in the...
Topics: art, European Art
Brooklyn Museum
by James Tissot
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eye 86
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Tissot closed the published volumes of The Life of Christ with this funerary self-portrait and an invocation to the reader to pray for him. Here, he stands among articles associated with rites for the dead: tapers, a draped coffin, wreaths, and holy water. In the background, a large wreath surrounds the distinctive “JTJ” monogram with which he signed some of his works. There are also certain mystical elements. As scholars have noted, while Tissot raises his right hand in a gesture of...
Topics: art, European Art
Object metadata can change over time, please check the Brooklyn Museum object record for the latest information.
Topics: art, European Art
Brooklyn Museum
by James Tissot
image
eye 65
favorite 1
comment 0
Object metadata can change over time, please check the Brooklyn Museum object record for the latest information.
Topics: art, European Art
Object metadata can change over time, please check the Brooklyn Museum object record for the latest information.
Topics: art, European Art
Brooklyn Museum
by James Tissot
image
eye 77
favorite 2
comment 0
Object metadata can change over time, please check the Brooklyn Museum object record for the latest information.
Topics: art, European Art
Object metadata can change over time, please check the Brooklyn Museum object record for the latest information.
Topics: art, European Art
Brooklyn Museum
image
eye 88
favorite 2
comment 0
Object metadata can change over time, please check the Brooklyn Museum object record for the latest information.
Topics: art, European Art
Object metadata can change over time, please check the Brooklyn Museum object record for the latest information.
Topics: art, European Art
Brooklyn Museum
by James Tissot
image
eye 55
favorite 1
comment 0
Object metadata can change over time, please check the Brooklyn Museum object record for the latest information.
Topics: art, European Art
Brooklyn Museum
by James Tissot
image
eye 84
favorite 2
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Object metadata can change over time, please check the Brooklyn Museum object record for the latest information.
Topics: art, European Art
Brooklyn Museum
image
eye 168
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In Luke’s account of the calling of the first apostles, the fishermen return empty-handed after a long night of fishing in their boats. At Jesus’ command, they lower their nets once more and harvest more fish than their boats can hold, prompting Peter to confess his unworthiness in Jesus’ presence. While the other fishermen struggle with their hefty catch, Peter bows on bended knees before Jesus, a gesture that underscores his primacy among the disciples in Luke’s Gospel. In response to...
Topics: art, European Art
Brooklyn Museum
by James Tissot
image
eye 259
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Son of the brutal King Herod who had murdered the innocents of Bethlehem, Herod Antipas also ruled Judaea as one of the tetrarchs, or four kings, appointed by the Romans. After marrying Herodias, the widow of his late brother, he earned the scorn of John the Baptist. The Baptist’s outspoken condemnation of the marriage prompted Herod to imprison him. Tissot depicts Herod in a colorful costume rich in its textiles and embroidered details, a distinct contrast to the simplicity of the...
Topics: art, European Art