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Brooklyn Museum
by Aaron Draper Shattuck
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Object metadata can change over time, please check the Brooklyn Museum object record for the latest information.
Topics: art, American Art
Brooklyn Museum
by Abraham Pietersz. van Calraet
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Showing the working process of the seventeenth-century landscape painter, van Calraet positions two horsemen on a low rise with a panoramic view of a hill village and the surrounding flatlands. While the artist perches on a portable stool with a sketchbook propped on his knees, his companion attends to the horses and steals a look at the scene as it develops on paper. Such drawing excursions not only trained the eye and hand but permitted the artist an escape from the daily demands of the...
Topics: art, European Art
Brooklyn Museum
by Aelbert Cuyp
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Object metadata can change over time, please check the Brooklyn Museum object record for the latest information.
Topics: art, European Art
Brooklyn Museum
by Albert Bierstadt
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In 1863, Albert Bierstadt made an arduous expedition to Colorado in order to gather studies of the region for this monumental painting, executed three years later in his New York studio. For the final canvas, he exercised artistic license—rearranging some landmarks and exaggerating the scale of others—to maximize the visual interest of this Rocky Mountain landscape. The picture toured the country on a yearlong exhibition and thrilled audiences with its dual effects of sublime grandeur and...
Topics: art, American Art
Brooklyn Museum
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By the constitution of nature . . . by the training of the family and school . . . and by the whole current of poetry and literature, woman is educated to feel that a happy marriage is the summit of all earthly felicity. —Catherine E. Beecher, Truth Stranger than Fiction (1850) This elaborate genre-and-Iandscape tableau was originally flanked by two smaller paintings depicting earlier and later episodes in the imagined narrative of a woman's life from infancy to marriage to death— Morning...
Topics: art, American Art
Brooklyn Museum
by Albrecht Dürer
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eye 124
favorite 2
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Object metadata can change over time, please check the Brooklyn Museum object record for the latest information.
Topics: art, European Art
Cleveland Museum of Art
by Albrecht Dürer (German, 1471-1528)
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The Great Passion: The Lamentation of Christ. Albrecht Dürer (German, 1471-1528). Woodcut; The Cleveland Museum of Art, Gift of The Print Club of Cleveland in memory of Ralph King 1926.120
Topic: Prints
Cleveland Museum of Art
by Albrecht Dürer (German, 1471-1528)
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Christ Crowned with Thorns, 1512. Albrecht Dürer (German, 1471-1528). Engraving; The Cleveland Museum of Art, Gift of The Print Club of Cleveland 1921.1167
Topic: Prints
Cleveland Museum of Art
by Albrecht Dürer (German, 1471-1528)
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The Congress of Princes at Vienna, 1512-1515. Albrecht Dürer (German, 1471-1528). Woodcut; The Cleveland Museum of Art, Gift of Paul J. Sachs 1922.347
Topic: Prints
Cleveland Museum of Art
by Albrecht Dürer (German, 1471-1528)
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Virgin Crowned by an Angel, 1520. Albrecht Dürer (German, 1471-1528). Engraving; The Cleveland Museum of Art, Gift of The Print Club of Cleveland 1973.215
Topic: Prints
Cleveland Museum of Art
by Albrecht Dürer (German, 1471-1528)
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The Great Passion: Title Page - Christ, Man of Sorrows. Albrecht Dürer (German, 1471-1528). Woodcut; The Cleveland Museum of Art, Gift of The Print Club of Cleveland in memory of Ralph King 1926.111
Topic: Prints
Cleveland Museum of Art
by Albrecht Dürer (German, 1471-1528)
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The Small Passion: Christ Before Annas, 1509-1511. Albrecht Dürer (German, 1471-1528). Woodcut; The Cleveland Museum of Art, Gift of Mr. and Mrs. Paul Ehrenfest in memory of William J. Collins 1961.273
Topic: Prints
Cleveland Museum of Art
by Albrecht Dürer (German, 1471-1528)
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The Little Passion: Pilate Washing his Hands, 1509-1510. Albrecht Dürer (German, 1471-1528). Woodcut; sheet: 13.1 x 10.1 cm (5 3/16 x 4 in.); image: 12.7 x 9.7 cm (5 x 3 13/16 in.). The Cleveland Museum of Art, Gift of Ann and Richard Gridley 2001.30
Topic: Prints
Cleveland Museum of Art
by Albrecht Dürer (German, 1471-1528)
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The Dead Christ, 1505. Albrecht Dürer (German, 1471-1528). Charcoal; framing line in graphite (top edge); sheet: 17.1 x 23.5 cm (6 3/4 x 9 1/4 in.). The Cleveland Museum of Art, Gift of the Hanna Fund 1952.531
Topic: Drawings
Cleveland Museum of Art
by Albrecht Dürer (German, 1471-1528)
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Christ before Caiaphas, 1512. Albrecht Dürer (German, 1471-1528). Engraving; The Cleveland Museum of Art, Gift of The Print Club of Cleveland 1921.1164
Topic: Prints
Cleveland Museum of Art
by Albrecht Dürer (German, 1471-1528)
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The Last Supper, 1523. Albrecht Dürer (German, 1471-1528). Woodcut; The Cleveland Museum of Art, Gift of The Print Club of Cleveland 1922.78
Topic: Prints
Cleveland Museum of Art
by Albrecht Dürer (German, 1471-1528)
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Life of the Virgin: Christ Taking Leave of His Mother, 1504-1505. Albrecht Dürer (German, 1471-1528). Woodcut; The Cleveland Museum of Art, Gift of The Print Club of Cleveland 1922.300
Topic: Prints
Cleveland Museum of Art
by Albrecht Dürer (German, 1471-1528)
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Life of the Virgin: Joachim and the Angel, c. 1504. Albrecht Dürer (German, 1471-1528). Woodcut; image: 29.8 x 21 cm (11 3/4 x 8 1/4 in.). The Cleveland Museum of Art, Gift of The Print Club of Cleveland 1922.286
Topic: Prints
Cleveland Museum of Art
by Albrecht Dürer (German, 1471-1528)
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The Offer of Love (or The Ill-Assorted Couple), 1495-1496. Albrecht Dürer (German, 1471-1528). Engraving; sheet: 14.8 x 13.7 cm (5 13/16 x 5 3/8 in.). The Cleveland Museum of Art, Gift of Leonard C. Hanna, Jr. 1934.344
Topic: Prints
Cleveland Museum of Art
by Albrecht Dürer (German, 1471-1528)
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The Cook and His Wife, probably 1497. Albrecht Dürer (German, 1471-1528). Engraving; The Cleveland Museum of Art, Bequest of Lucia McCurdy McBride 1946.362
Topic: Prints
Cleveland Museum of Art
by Albrecht Dürer (German, 1471-1528)
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The Small Passion: The Ascension, 1509-1511. Albrecht Dürer (German, 1471-1528). Woodcut; The Cleveland Museum of Art, In memory of William J. Collins 1962.392
Topic: Prints
Cleveland Museum of Art
by Albrecht Dürer (German, 1471-1528)
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The Life of the Virgin: The Virgin on a Crescent, c. 1510-1511. Albrecht Dürer (German, 1471-1528). Woodcut; The Cleveland Museum of Art, Dudley P. Allen Fund 1959.99.1
Topic: Prints
Cleveland Museum of Art
by Albrecht Dürer (German, 1471-1528)
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The Prodigal Son, c. 1496. Albrecht Dürer (German, 1471-1528). Engraving; The Cleveland Museum of Art, Gift of The Print Club of Cleveland 1986.41
Topic: Prints
Cleveland Museum of Art
by Albrecht Dürer (German, 1471-1528)
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Hercules, c. 1496-1497. Albrecht Dürer (German, 1471-1528). Woodcut; platemark: 39.1 x 28.5 cm (15 3/8 x 11 1/4 in.). The Cleveland Museum of Art, Gift of The Print Club of Cleveland 1926.107
Topic: Prints
Cleveland Museum of Art
by Albrecht Dürer (German, 1471-1528)
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Frederick the Wise, Elector of Saxony, 1524. Albrecht Dürer (German, 1471-1528). Engraving; The Cleveland Museum of Art, Gift of Edward B. Greene 1939.565
Topic: Prints
Cleveland Museum of Art
by Albrecht Dürer (German, 1471-1528)
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Coat of Arms with a Skull, 1503. Albrecht Dürer (German, 1471-1528). Engraving; sheet: 22.2 x 15.9 cm (8 3/4 x 6 1/4 in.). The Cleveland Museum of Art, John L. Severance Fund 1953.9
Topic: Prints
Cleveland Museum of Art
by Albrecht Dürer (German, 1471-1528)
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Revelation of St. John: St. John before the Throne, 1511. Albrecht Dürer (German, 1471-1528). Woodcut; The Cleveland Museum of Art, Gift of The Print Club of Cleveland 1922.94.4
Topic: Prints
Brooklyn Museum
by Alburtus del Orient Browere
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favorite 1
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Object metadata can change over time, please check the Brooklyn Museum object record for the latest information.
Topics: art, American Art
Cleveland Museum of Art
by Alexandre Pau de St. Martin (French)
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View of Saint-Cloud, Near the Seine, 1809. Alexandre Pau de St. Martin (French). Oil on fabric; unframed: 43.9 x 67.6 cm (17 5/16 x 26 5/8 in.). The Cleveland Museum of Art, Gift of Mr. and Mrs. Noah L. Butkin 1977.121
Topic: Modern European Painting and Sculpture
Brooklyn Museum
by Alexandre-Gabriel Decamps
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Object metadata can change over time, please check the Brooklyn Museum object record for the latest information.
Topics: art, European Art
Cleveland Museum of Art
by Alexandre-Gabriel Decamps (French, 1803-1860)
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Carcasses, 1840-1860. Alexandre-Gabriel Decamps (French, 1803-1860). Watercolor and gouache; sheet: 24.6 x 17.9 cm (9 11/16 x 7 1/16 in.). The Cleveland Museum of Art, Bequest of Muriel Butkin 2008.344
Topic: Drawings
Cleveland Museum of Art
by Alexandre-Gabriel Decamps (French, 1803-1860)
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The Good Samaritan, c. 1842. Alexandre-Gabriel Decamps (French, 1803-1860). Oil on fabric; framed: 54 x 71 x 10 cm (21 1/4 x 27 15/16 x 3 15/16 in.); unframed: 28.8 x 46 cm (11 5/16 x 18 1/8 in.). The Cleveland Museum of Art, Bequest of Noah L. Butkin 1980.253
Topic: Modern European Painting and Sculpture
Cleveland Museum of Art
by Alfred Rethel (German, 1816-1859)
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Dance of Death: Death the Strangler, 1850. Alfred Rethel (German, 1816-1859). Woodcut; The Cleveland Museum of Art, Gift of Robert Hays Gries 1939.620
Topic: Prints
Cleveland Museum of Art
by Alfred Rethel (German, 1816-1859)
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Dance of Death: Death as a Friend, 1850. Alfred Rethel (German, 1816-1859). Woodcut; The Cleveland Museum of Art, Gift of Robert Hays Gries 1939.619
Topic: Prints
Brooklyn Museum
by Andrea Busati; Cima da Conegliano
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Object metadata can change over time, please check the Brooklyn Museum object record for the latest information.
Topics: art, European Art
Brooklyn Museum
by Andrea di Bartolo
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Like other portable triptychs, this work was made for private devotions. Although, as always, the Madonna and Child are central, this Sienese painter portrays not an enthroned figure but rather one seated on the ground. There are several other examples of this type, known as the Madonna of Humility, in this gallery. Here, Mary is pictured in a garden (a traditional symbol of the Virgin), shown only as a fringe of grasses and flowers on which she sits. The robes of the two saints have very...
Topics: art, European Art
Brooklyn Museum
by Andrew Richardson
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comment 0
Object metadata can change over time, please check the Brooklyn Museum object record for the latest information.
Topics: art, American Art
Brooklyn Museum
by Antoine-Louis Barye
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Object metadata can change over time, please check the Brooklyn Museum object record for the latest information.
Topics: art, European Art
Brooklyn Museum
by Anton Mauve
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Object metadata can change over time, please check the Brooklyn Museum object record for the latest information.
Topics: art, European Art
Brooklyn Museum
by Antonio González Velázquez
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Object metadata can change over time, please check the Brooklyn Museum object record for the latest information.
Topics: art, European Art
Brooklyn Museum
by Antonio González Velázquez
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Object metadata can change over time, please check the Brooklyn Museum object record for the latest information.
Topics: art, European Art
Brooklyn Museum
by Arnold Böcklin
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Arnold Böcklin was one of many artists lured to Italy to sketch and paint the light-bathed countryside in and around Rome. Unlike Hubert Robert and Pierre Thuillier (whose works are also shown here), who found inspiration in timeworn monuments, the Swiss painter did not seek out famous landmarks but preferred rustic sites seemingly untouched by man. Although Böcklin includes the figure of a bather disrobing in the middle ground, her tiny form primarily underscores the vastness of nature, seen...
Topics: art, European Art
Brooklyn Museum
by Arthur Parton
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The influence of William Trost Richards is evident in this work’s coastal subject matter, careful execution, and vaporous atmospheric effects. Parton studied with Richards in Philadelphia from 1859 to 1861 and remained close with the elder artist throughout his life, even going on a sketching expedition with him in the Adirondacks. Object metadata can change over time, please check the Brooklyn Museum object record for the latest information.
Topics: art, American Art
Brooklyn Museum
by Asher B. Durand
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Asher B. Durand’s composition depicts an expanse of rugged terrain and forests under stormy skies. This American wilderness yields to progress as a lone farmer reaps his first harvest in a field, still dotted with the stumps of recently cleared trees and gleaming under a sudden shaft of light that penetrates the heavy clouds. A boulder resting by the side of the road identifies our glorified pioneer by name as “Graham.” Using funds bequeathed by one of its founders, Augustus Graham, the...
Topics: art, American Art
Brooklyn Museum
by Asher B. Durand
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Object metadata can change over time, please check the Brooklyn Museum object record for the latest information.
Topics: art, American Art
Brooklyn Museum
by Asher B. Durand
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This quiet, enclosed landscape subject, very likely set in the Catskills or Adirondacks, represents the direction in which Asher B. Durand had moved American landscape art. After devoting his attention to expansive views that often included historical or moralizing narratives, by the 1850s he began to record in fine detail more intimate settings in which there was no palpable human presence. This very contained composition, although completed in the studio, is close in spirit to the highly...
Topics: art, American Art
NASA Images
by Astronaut photographs and were taken on October 30, 2002, at about 11:30 GMT and are provided by the Earth Sciences and Image Analysis Laboratory at Johnson Space Center. Additional images taken by astronauts and cosmonauts can be viewed at the NASA-JSC
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International Space Station crew members are trained to observe and document dynamic events on the Earth’s surface, such as hurricanes, forest fires, and volcanic eruptions. Their observations provide scientists and the general public a different perspective on these events. Earlier this week, astronauts in the crew of the ISS-5 mission were able to observe Mt. Etna’s spectacular eruption, and photograph the details of the eruption plume as well as smoke from fires triggered by the lava as...
Topics: What -- International Space Station (ISS), Where -- Libya
Source: http://visibleearth.nasa.gov/view_rec.php?id=16260
Cleveland Museum of Art
by Battista Dossi (Italian, ca. 1490-1548)
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Holy Family with a Shepherd, early 1520s. Battista Dossi (Italian, ca. 1490-1548). Oil on canvas; unframed: 38.7 x 32 cm (15 1/4 x 12 5/8 in.). The Cleveland Museum of Art, Delia E. Holden and L. E. Holden Funds 1949.185
Topic: European Painting and Sculpture
Brooklyn Museum
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favorite 2
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Object metadata can change over time, please check the Brooklyn Museum object record for the latest information.
Topics: art, American Art
Cleveland Museum of Art
by Benvenuto di Giovanni (Italian, 1436-1509/17)
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Single Leaf from an Antiphonary: Initial H[odie nobis] with The Nativity, 1471. Benvenuto di Giovanni (Italian, 1436-1509/17). Ink, tempera, and gold on parchment; sheet: 56 x 40 cm (22 1/16 x 15 3/4 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund 1952.282
Topic: Medieval Art
Brooklyn Museum
by Bergamesk follower of Lorenzo Lotto
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Object metadata can change over time, please check the Brooklyn Museum object record for the latest information.
Topics: art, European Art
Brooklyn Museum
by Bernardino Butinone
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favorite 1
comment 0
Object metadata can change over time, please check the Brooklyn Museum object record for the latest information.
Topics: art, European Art
Cleveland Museum of Art
by Boucicaut Master (French, Paris, active about 1410-25)
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Leaf from a Book of Hours: Sts. Geneviève, Catherine of Alexandria, and Margaret (recto), c. 1415. Workshop of Boucicaut Master (French, Paris, active about 1410-25). Ink, tempera, silver, and gold on vellum; leaf: 16 x 11.2 cm (6 5/16 x 4 7/16 in.). The Cleveland Museum of Art, The Jeanne Miles Blackburn Collection 2014.21.a
Topic: Medieval Art
Cleveland Museum of Art
by Boucicaut Master (French, Paris, active about 1410-25)
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Leaf from a Book of Hours: Christ in Judgment, c. 1415. Workshop of Boucicaut Master (French, Paris, active about 1410-25). Ink, tempera, and gold on vellum; sheet: 17 x 12.5 cm (6 11/16 x 4 15/16 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund 1953.366.2
Topic: Medieval Art
Brooklyn Museum
by Carlo Crivelli
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Saint James Major was one of Christ's apostles and the patron saint of pilgrims, those devoted and adventurous Christians who made their way over hundreds of miles to the Holy Land or to the chief pilgrimage churches of Europe. Their connection with James arose from the belief that the apostle had traveled across the Mediterranean as far as Spain to found the famous church Santiago (Spanish for Saint James) de Compostela. The seashell, symbolizing that voyage, and the staff are the saint's...
Topics: art, European Art
Cleveland Museum of Art
by Carlo Crivelli (Italian, 1430/35-1495)
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Saint Nicholas of Bari, 1472. Carlo Crivelli (Italian, 1430/35-1495). Oil on wood panel; framed: 109 x 41 x 6 cm (42 15/16 x 16 1/8 x 2 3/8 in.); unframed: 96.2 x 32 cm (37 7/8 x 12 5/8 in.). The Cleveland Museum of Art, Gift of the Hanna Fund 1952.111
Topic: Medieval Art
Brooklyn Museum
by Charles Deas
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favorite 2
comment 0
Object metadata can change over time, please check the Brooklyn Museum object record for the latest information.
Topics: art, American Art
Brooklyn Museum
by Charles Willson Peale
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John Hancock, president of the Continental Congress, commissioned this portrait of George Washington as Commander in Chief of the Continental Army in order to flatter and reward him for liberating Boston (visible in the background) from the British in March 1776. Hancock wrote to Washington, "I beg, Sir, you will be pleased to accept my heartfelt thanks for the attention you have showed to my property in that town." Washington reluctantly accepted Hancock's invitation to sit for the...
Topics: art, American Art
Brooklyn Museum
by Charles-François Daubigny
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Object metadata can change over time, please check the Brooklyn Museum object record for the latest information.
Topics: art, European Art
Brooklyn Museum
by Charles-François Daubigny
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Lured by the tranquil waters and hidden corners of riverscapes, Daubigny began to explore the river valleys outside Paris in the late 1850s from Le Botin , his floating studio. For this scene, Daubigny selects a viewpoint in the center of the waterway, looking down a long stretch of the river and up toward the bank where herdsmen coax their cattle onto a barge. The still water and the reassuringly peaceful coexistence of man and nature made such paintings highly popular with Daubigny’s urban...
Topics: art, European Art
Brooklyn Museum
by Charles-Émile Jacque
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Object metadata can change over time, please check the Brooklyn Museum object record for the latest information.
Topics: art, European Art
Brooklyn Museum
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Taking shelter underneath a sturdy oak, an elegantly, if scantily clad young woman—perhaps separated from her party of nature-seekers—tearfully cowers as powerful winds whip at her gauzy attire. In this picture, exhibited at the Salon of 1799, Bonnemaison pays homage to the era's prevailing, classically inspired tastes: the young woman wears the high-waisted, muslin robe à l'antique and delicate cothurnes , or sandals, that became all the rage for fashionable French women in the 1790s. At...
Topics: art, European Art
Ourmedia
by chief864@gmail.com
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Saint Alexander orthodox icon
Brooklyn Museum
by Circle of Diego Quispe Tito
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comment 0
Object metadata can change over time, please check the Brooklyn Museum object record for the latest information.
Topics: art, American Art
Brooklyn Museum
by Circle of Diego Quispe Tito
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In colonial Peru, the ruling Spanish orchestrated the production and dispersal of religious imagery as testimony to the Christian mission of Spanish domination. This long narrative panel—which should be read from right to left—was produced in the Spanish colonial artistic center of Cuzco, Peru, a highland city that remained a stronghold of native Inca culture. While the artists working in Spanish-influenced painting guilds borrowed heavily from works by European artists in the local...
Topics: art, European Art
Brooklyn Museum
by Circle of Joos van der Beke, called Joos van Cleve
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favorite 1
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Object metadata can change over time, please check the Brooklyn Museum object record for the latest information.
Topics: art, European Art
Cleveland Museum of Art
by Claude Lorrain (French, 1604-1682)
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Rest on the Flight into Egypt, early 1640s. Claude Lorrain (French, 1604-1682). Oil on canvas; framed: 239 x 185 x 12 cm (94 1/8 x 72 13/16 x 4 3/4 in.); unframed: 208 x 152.5 cm (81 7/8 x 60 1/16 in.). The Cleveland Museum of Art, Leonard C. Hanna, Jr. Fund 1962.151
Topic: European Painting and Sculpture
Cleveland Museum of Art
by Claude Lorrain (French, 1604-1682)
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Italian Landscape, c. 1630. Claude Lorrain (French, 1604-1682). Oil on canvas; framed: 126.5 x 162.5 x 5 cm (49 13/16 x 64 x 1 15/16 in.); unframed: 97.5 x 134.2 cm (38 3/8 x 52 13/16 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund 1946.73
Topic: European Painting and Sculpture
Object metadata can change over time, please check the Brooklyn Museum object record for the latest information.
Topics: art, European Art
Cleveland Museum of Art
by Cornelis Cort (Dutch, 1533-1578); Giulio Clovio (Italian, 1498-1578)
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Christ Appearing to Mary Magdalen, 1567. Cornelis Cort (Dutch, 1533-1578), after a design by Giulio Clovio (Italian, 1498-1578). Engraving; sheet: 28.1 x 20.7 cm (11 1/16 x 8 1/8 in.). The Cleveland Museum of Art, Gift of Mr. and Mrs. Joseph T. Meals 1979.131
Topic: Prints
Brooklyn Museum
by Cuzco School
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In this charming Nativity scene celebrating the Holy Family in humble surroundings, the Child is the focus of attention as Mary and Joseph kneel beside him in worship. A shepherd bearing a sheep enters at the left, and an ox and ass are in attendance at the right. Radiant clouds beam down, while a sturdy little booted angel hovers above bearing a scroll, whose Latin inscription proclaims "Glory to God in the highest." A few Peruvian flowers bloom at the foot of the manger. Both...
Topics: art, American Art
Brooklyn Museum
by Daniel Ridgway Knight
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A dreamy mood prevails in this dignified image of a French shepherdess. The pastoral setting provides a poetic backdrop to her youth and beauty, creating a picture that erases the social realities of peasant life. Daniel Ridgway Knight, who was born in Philadelphia and expatriated to France in the early 1870s, was well aware of this painting's potential for success when it debuted at the Paris Salon in 1896; it combined the silvery gray palette and romanticized peasant subject matter that were...
Topics: art, American Art
Brooklyn Museum
by David Gilmour Blythe
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favorite 3
comment 0
Object metadata can change over time, please check the Brooklyn Museum object record for the latest information.
Topics: art, American Art
Community Images
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Četvrtina akcije Prve hrvatske štedionice, 10. veljače 1918. godine, nalazi se u Jakovlju, i pripadala je mještaninu. Dokument je skeniran od mještana u okviru projekta "Digitalni zavičaj – jakovlje.com" [istraživanje lokalnog identiteta jakovljanskog kraja]
Topics: Jakovlje, obveznica
Brooklyn Museum
by Domenico di Tommaso Bigordi, called Domenico Ghirlandaio, School of Florence
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favorite 1
comment 0
Object metadata can change over time, please check the Brooklyn Museum object record for the latest information.
Topics: art, European Art