Explores the fate of Russian art collections and libraries following the Russian Revolution in 1917, the institutions and individuals responsible for their sale, and the prominent collectors, libraries, and museums that acquired them. Unlike the widely publicized controversy surrounding Soviet-Nazi war loot and its restitution, the sales of the inter-war period are not well known outside a small scholarly community. This talk reveals the extent of the Soviet government's voluntary 'realization' of Russia's cultural patrimony between 1918 and 1938 and its consequences for both the international art market and the perception of Russian art. The imperial Easter eggs by Faberge and Old-Master paintings purchased by Andrew Mellon from the State Hermitage and now in the National Gallery of Art in Washington, D.C. are the most celebrated works that changed hands. Equally significant are the bibliographic rarities from imperial libraries, icons and liturgical art from churches and monasteries, and antiques, furnishings and fine art from estates, palaces, and private homes. Anne C. Odom, curator emerita of the Hillwood Museum and Gardens, Washington, D.C. Sponsored by the Rohatyn Center for International Affairs, Russian and East European Studies, and History of Art and Architecture International Studies colloquium lunchtime series
Part of the series entitled Selling of Russia's cultural heritage, 1918-1938
RealPlayer 1 mini-dvd (56 min.) : sd., col.
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